Found Around the Web: Artist Cookbook Project + Art Book Project + T-shirt Competition Accepting Submissions

You know how it is?! With nearly 2000 Facebook invitations to reply to this week alone, Twitter messages to read across 5 Twitter accounts, LinkedIn messages, and daily emails piling up, it’s hard to keep up and check into everything. But here are a couple of interesting projects that we’re not involved in but wanted to share.

First, there is an artists cookbook project–an anthology of sorts. An artist’s cookbook written by artists and made by artists accepting submissions of recipes and art. You can find the email address for submissions here.

Cookbook image by artist Jason Green

Cookbook image by artist Jason Green

Artists get 25% of all sales with the Arts Thread t-shirt design competition in conjunction with Press Up that has an August 31st deadline–details here.

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Pak Art Gallery has a call for submissions to Artbook “Relevance in the art. Fine art masters of the 21.st century” Submission deadline: 10 December 2015–details here.

Artists can submit their biography and 3 pictures of artworks in JPEG (please no more than 2 Mb per picture). Pak accepts no Zip or rar for submission. They accept for submission: Original artworks (drawings, mixed media, oil and acrylic original artworks, lithograph, screen prints, photography) Giclee Limited Editions on art paper or canvas.

PAK gallery artists mentioned in GQ magazine and Vogue recently.

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The Multiple eXposure Project Call for Artists: Outside the White Cube

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Dear Marie,

I hope you can publish this call for artists to our curatorial project, Outside the White Cube, in your website. Thank you.

Regards,

Sherwin Mapanoo (curator)

The Multiple eXposure Project

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Call for Artists: Outside the White Cube

The Multiple eXposure Project will be curating “Outside the White Cube”, an alternative, traveling, curatorial project which aims to feature image-based works across different disciplines and media by emerging artists from the Philippines and elsewhere. We are inviting local and international artists whose works discuss the notion of the “PUBLIC” and its complexities. Deadline of submission is on October 5, 2015.

Artists working in a variety of media and disciplines are invited to participate and submit their works. We are seeking image submissions such as photographic series, video arts, short films, video mapping, recorded public performances, digital manipulation, animation, digital arts, new media arts, and others. Needless to say, any medium that can be projected to the screen will be accepted.

Please email your submissions, together with description, artist statement, and bionote, to themultipleexposureproject@gmail.com.

For more information, website our website: http://www.themultipleexposureproject.co.nr or our Facebook page: https://www.facebook.com/themultipleexposureproject.

About the Theme (Public):


The “public” is a multi-layered concept defined differently depending on how the term is used and framed. It is a notion devoid of singularity and is, grammatically speaking, a terrain of contradictions. As a noun and an adjective, the public constitutes the people, masses or community, and suggests anything that is staged, accessed, or seen out in the “open.” The public can also be used as a verb to describe something one does, as in make public or publicize, suggesting the movement or shift from the inside (private) to the outside (public). Paradoxically, however, the same term also points to the limits of such openness and movement. Given that it simultaneously refers to something “involving and provided by the government”, the public is always at risk of becoming merely an apparatus of the sovereign state and its institutions, thus making the flow of its production, distribution, and consumption partial and counterproductive.

With these issues in mind, we are looking for submissions that address and interrogate key topics of interest, but are not limited to, the following:

–         What is public? What counts as public?
–         The public and the private  – their overlapping tensions and ambiguities (ex: private event, object, or space made public)
–         The public as a collective (subject, citizenship, nation, etc.)
–         Politics, institutions, and conflicts (of interests) in public sphere
–         Positioning the public in the city or urban context
–         The value of public-ness (openness, sharing, connection, participation, etc.)
–         The limits and potentials of the public
–         The public and the subaltern counterpublic
–         Public image and identity
–         Public performance, gaze, visual voyeurism, and spectacle
–         Public and biopolitics (power, discipline, panopticon, and surveillance)

Description:

As implied by the project’s title, “Outside the White Cube” seeks to re-frame the practice of curating and spectating images outside the exclusionary, institutional borders of the “white cube” or gallery space.

Public spaces are used as an exhibition site to stimulate a mode of spectator experience that revolves around displacement of the passersby (public) from their “habitus” by interrupting the flow of pedestrian traffic. We alter a familiar public space and transform it into an unusual, dialogic site for image projection and exhibition, taking advantage of its accessibility and site-specificity in order to redefine the ways the spectators look at and engage with images.  Adopting “guerilla urbanism” as a curatorial strategy, we make sense of the immediacy of the “public” and reflect upon its context, meanings, and intersections with representation, place, and discourse. In so doing, we intervene and reformat aspects of the urban landscapes and emphasize the “counter-spectacle” in art viewing and appreciation.

This project also underlines the inherent ephemerality of an open-to-the-public display in relation to time and space. As a “traveling” exhibition which heavily depends on projection technology and public space as its “frame” or “canvas”, this project celebrates the momentary nature of image-viewing, consumption, and mobility in the metropolis at a time of constant flux and transition.

Sites and Duration:


Selected works will be projected and displayed in public spaces in different parts of Metro Manila where there is a massive flow of human traffic. Possible sites defined by law as “public place” include: “any highway, boulevard, avenue, road, street, bridge or other thoroughfare, park, plaza, square, and/or any open space of public ownership where the people are allowed access.” Each exhibition will run anywhere from a few hours to a week. The first phase of the traveling exhibition will run from October to December 2015. An accompanying zine featuring the works of the artists will also be published.

About The Multiple eXposure Project:


The Multiple eXposure Project is a multimedia, multi/trans/inter-disciplinary artistic practice and research-based initiative that explores the many layers of image-making, participatory photography, visual ethnography, and performative encounter(s) between the image and the spectator; the subject and the viewer.

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Open Call to All Artists on “Art as Activism” Theme for Chelsea NY Gallery

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Hi Artists,

Listed below are two calls for art. The first is from Gutfreund Cornett Art on Democracy and is open to all artists as this is an “art as activism” theme. The second call for art is from the Women’s Caucus for Art and is titled “Trending: Contemporary Art Now!” This show is open to self-identified women artists. Let’s change the world through powerful art! Please contact me with any questions at karengutfreundart@gmail.com and as always, I hope you don’t consider my email notifications “spam”. But we will remove you from our list if you’d prefer not to hear from us.

If you haven’t worked with GCA or WCA before – below is an example of our work. It is the mission of GCA to change the world with art as activism and the mission of WCA to promote women artists who are underrepresented in the art world.

Below are links to the online catalog and gallery for an upcoming show at AIR Gallery, titled “Who’s Afraid of Feminism” from the Women’s Caucus for Art. Enjoy!

Online catalog:  http://issuu.com/karengutfreund/docs/whos_afraid_of_feminism_for_issuu

Online gallery:  http://nationalwca.org/nationalshows/whoseafraid.php#gallery

CALLS FOR ART!

WHAT’S RIGHT, WHAT’S LEFT: DEMOCRACY IN AMERICA

In the upcoming election year, what does democracy mean in the United States? It’s time for artists to get on their soap boxes – whether it is a conceptual soapbox (Warhol) or direct Statement Art (Jenny Holtzer) and tell us what you think about democracy in America.

What is happening within our borders with the increasing polarization of our political parties and how do our views of democracy affect those outside our borders when we try to spread the American Dream? Have we made progress or are we going backwards? Whether you lean to the right or lean to the left, tell us what you think about the current state of affairs. How does increasing surveillance affect the tenets of democracy? We have both freedom and a lack of privacy in this digital and Patriot’s Act world as drones and wiretaps are commonplace and virtually unquestioned and unopposed; but do we have a voice in any of this Big Brother culture and with voting restriction laws being passed across the country to silence particular demographics of the American public. How does the media portray democracy — truth vs. spin? What is actually news versus entertainment in bombastic, biased editorials? Consider democracy in relation to civil, personal and political rights, economic gain, and the debate over freedom of speech, freedom of choice and freedom to choose to live as you wish. What did our forefathers intend in the Constitution with the freedom of speech, the right to bear arms, the pursuit of happiness, etc. To whom do these tenets apply in a racially, religious and politically divided country?

GCA is asking artists to share their voices in this art-based conversation about democracy and seeks art that address and interprets these broadly.

TO ENTER, GO TO: 
http://www.gutfreundcornettart.com/whats-right-whats-left-democracy-in-america-2016-phoenix-gallery.html

TITLE: What’s Right, What’s Left: Democracy in America

VENUE:  Phoenix Gallery, Landmark Arts Building, Chelsea
548 West 29th Street, Suite 528, New York City

DEADLINE FOR SUBMISSION: Must complete submission by Friday, September 18, 2015 at 11:59  p.m. in your time zone.

JUROR: Dr. Kathy Battista
Founder and Director of the MA Contemporary Art program at Sotheby’s Institute of Art, New York and Senior Research Fellow of the Centre for Global Futures in Art, Design and Media at the Winchester School of Art University of Southampton.

CALL FOR ART:  While all media is accepted and there are no size restrictions, we encourage the submission of smaller works, due to the size of the gallery. Works will be chosen for the gallery with additional works chosen for the online gallery and catalog and shown in a looped slide show in the Phoenix Gallery.

DATES OF EXHIBITION: January 6-30, 2016

ARTIST RECEPTION: January 7, 2016

Eligiblity: Open to all artists

TO ENTER, GO TO:   http://www.gutfreundcornettart.com/whats-right-whats-left-democracy-in-america-2016-phoenix-gallery.html

Please email us with any questions at gutfreundcornettart@gmail.com.
 

CALL FOR ART HOSTED BY THE WOMEN’S CAUCUS FOR ART!

TRENDING, Contemporary Art Now!
The Women’s Caucus for Art, hosted by Target Gallery at the Torpedo Factory with juror Elizabeth K. Garvey announces a Call for Art: ‘Trending: Contemporary Art Now!’ for January 23 -February 28, 2016.

TRENDING seeks works that are driving the direction of contemporary art. Show us your visually compelling and conceptually exciting work that signal the direction of where art is headed. WCA seeks art in all media that are leading edge and have the potential to go viral. Show us your most interesting work!

This show is non-themed. The juror, Elizabeth K. Garvey, will select the strongest works based on her experience as a Chelsea (NY) gallerist and collector of contemporary art. “Trending…” seeks to promote innovative established artists and nurture promising talent from the next generation of women artists. Share your art with us and the world!

EXHIBITION VENUE:
Target Gallery
Torpedo Factory Art Center
105 N. Union St.
Alexandria, VA 22314

ELIGIBILITY: Open to all self-identified women artists.

DATES OF EXHIBITION: January 23 – February 28, 2016

ARTIST RECEPTION: Friday, February 5, 2016 (6:00 to 8:00 p.m.)

READ MORE AND ENTER HERE (Deadline 9/30/15): http://www.entrythingy.com/www.nationalwca.org#show=2305

JUROR: Elizabeth K. Garvey is the co-founder and owner of Garvey Simon Art Access. She has been a fine art dealer and advisor in New York City for over 20 years and leverages her professional relationships with galleries, auction houses, private dealers and artists to offer clients a relaxed entry into the often intimidating visage of the New York art world. She is a member of ArtTable, and a founding member of the New York chapter of the Association of Women Art Dealers.

ABOUT THE GALLERY: Target Gallery is the contemporary national and international exhibition space for the Torpedo Factory Art Center. The gallery hosts nine exhibitions annually — some juried, some curated — featuring a variety of themes, artists and media. Founded in 1974 in an old munitions plant, the Torpedo Factory Art Center is home to the largest collection of publicly accessible working artist studios in the U.S. An Alexandria landmark for more than 40 years, it’s the highlight of the Potomac Riverfront, attracting approximately 500,000 visitors annually.

GALLERY & ON-LINE GALLERY
There are two opportunities to get into this show. The juror will select works that will be exhibited in the Target Gallery and the On-Line Gallery.

The juror will also select additional works that will be shown on the WCA website’s On-Line Gallery ONLY. The On-Line Gallery only works will also be shown on a monitor in the gallery for the duration of the exhibition. This allows for more works to be seen beyond the physical limitation of the gallery.

CATALOG: All artwork selected will be included in the exhibition catalog both printed and online. Catalogs will be available for order at the time of the show opening.

NON-REFUNDABLE ENTRY FEE
Payment of $35 per entry for current WCA members and $45 for non-members and $20 for full-time students. An entry consists of one to three submissions of images. Credit card payments are made through Paypal only. You do not need a Paypal account to pay through Paypal and may use your credit or debit card instead.

SUBMISSIONS AND MEDIA
Artists may submit up to three works per entry with a total of three separate entries. Multiple views per piece are accepted when uploading 3D images of work.

All media is accepted except giclees of original work. The use of giclees, if part of a larger work/collage or assemblage is acceptable.

ARTWORK SIZE: There are no size restrictions for the artwork.

ENTER HERE: http://www.entrythingy.com/www.nationalwca.org#show=2305

ABOUT WOMEN’S CAUCUS FOR ART (WCA)
WCA was founded in 1972 in connection with the College Art Association (CAA). WCA is a national member organization unique in its multidisciplinary, multicultural membership of artists, art historians, students, educators, and museum professionals.

The mission of WCA is to create community through art, education and social activism. WCA is committed to recognizing the contribution of women in the arts, providing women with leadership opportunities and professional development, expanding networking and exhibition opportunities for women, supporting local, national and global art activism and advocating for equity in the arts for all.

To join WCA, visit http://www.nationalwca.org

ENTER HERE: http://www.entrythingy.com/www.nationalwca.org#dashboard

Questions?  Email   wcashows@gmail.com

Best regards,

Karen Gutfreund

Curator/Artist

Partner, GutfreundCornettArt.com

Member, ArtTable
Gallery & Museum Liaison,
Women’s Caucus for Art

Northern California TFAP Representative

The Feminist Art Project

Curator, www.UniteWomen.org
www.KarenGutfreund.com

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‘The Red Files’ Exhibition, Open Call to Artists: Deadline Friday 7th August 2015

The Red Files Open Call

The Red Files’ Open Call 27.08.15 – 12.09.2015

Curated by Ismail Erbil    Deadline for applications: Friday 7th August 2015

The Red Files is the fourth and final Open Call exhibition at Schwartz Gallery for 2015. The Open Call format has created exhibition opportunities throughout the year for emerging contemporary artists and tested curatorial concepts within the space. Juxtaposing ideas of colour and order The Red Files investigates psychological versus physical space within concepts of the contemporary. Occupying the abstract yet being rooted in a physical ordering The Red Files invites artists to submit work that responds to ideas of untold stories, latent expressions of the self and inverted systems of classification. The gallery space will be reformed through the use of divisions reenforcing ideas of transition and repetition by concealing and revealing physical and perceptual space.

If you would like to be part of ‘The Red Files’ please continue to the applications guidelines below:

KEY DATES:

Deadline for applications: Friday 7th August 2015
Selected artists announced on Schwartz Gallery website: Wednesday 12th August 2015
Private view: Thursday 27th August 2015 6 – 8.30 p.m
Exhibition dates: 27/08/15 – 12/09/2015
Opening Hours: Thursday – Saturday 1 – 6 p.m or by appointment

FEES:

Application and processing fee: £12 (via paypal) per application of up to two artworks per artist.  The fee is non-refundable. Please include your PayPal Payment Reference Number when completing the ‘The Red Files’ application form.

GUIDELINES:

* ‘The Red Files’ is open to artists living and working in London and the U.K only.
* Work across all media will be considered. There is no size restriction.
* Each Applicant can submit up to two pieces of work, saved as JPG files no larger than 1MB per image ( 2 images in total maximum per applicant).
* Each applicant should attach a one page CV when submitting their application (word doc or pdf).
*No late submissions will be accepted.
* The Gallery will not consider artists work with images larger than the 1MB per image limit.  These applicants will not be considered.
*All works must have been made since 2014.
*Applicants should be aged 18 and over at the time of applying.
* Number each image to correspond to the work list on the application form.
* Schwartz Gallery reserves the right to not display any artwork that is significantly different from the art that was accepted from the submission.
* Work submitted must be available and remain on display until the end of the exhibition with selected artists signing a consignment form.
* Work will need to be collected at the end of the exhibition (Selected artists will be contacted regarding the delivery and collection dates).  The gallery can arrange for work to be posted back to the artists as long as all costs and packaging have been covered by the artists.
* Artists are advised to insure their own works. The gallery will not be responsible for theft, loss or damage to their work.
* Once artists have delivered work, the hanging of the show will be the responsibility of the gallery/curator.
Exhibited works may be photographed for promotional purposes.
The gallery reserves the right to extend the application deadline and re-schedule the exhibition dates.

Please e-mail your completed application form and all required support materials to info@schwartzgallery.co.uk with your name and ‘The Red Files’ in the subject title.  Please address your message to Ismail Erbil.

http://www.schwartzgallery.co.uk/

 

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The Billboard Creative SUBMISSION PROCESS OPENING SOON

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The Billboard Creative SUBMISSION PROCESS OPENING SOON

The Billboard Creative / TBC is working on the last few details before opening submissions for their Q4 2015 show.  They have their guest curator lined up and will be announcing their Call to Artists and new submission process soon.

Sign up for their newsletter here to get their forthcoming Call to Submit your art.

 

 

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African Print Services: A New Sales Opportunity for African Artists

I  invite you to take part in a new joint initiative with the newly launched EN1 Prints of London, England. EN1 Prints are a brand new print-on-demand service offering and very good deals to contemporary artists ready and willing to sell limited edition prints of their original work.

 I have negotiated a special deal with EN1 for Artworld’s African Fine Artists that will market fine-art prints (A1, A2 or A3 sized) from your original work. (Initially the agreement is for African artists, perhaps later this will be extended worldwide). The bare bones of the arrangement are as follows.
 (i) There are no fees or charges up-front. You pay nothing, now or ever for the print-service.
 (ii) If a print is sold, the printer get 20% of the selling-price, APS gets 5% (ploughed back into the Artworld service) and you, the artist, get 75%. Payment will be made within 7 days from the sale, less any bank & currency conversion charges.
 (iii) You are free to set your own prices for prints offered from your original work. I recommend an edition of 100, and (in consultation with EN1 Prints) a selling price of USD 75. For each print sold you will receive about USD 56 (75%) less bank costs, EN1 Prints gets about USD 15 (to cover the service, materials and printing) and APS gets USD 4 (or 5%).
 I URGE YOU TO TAKE PART UNDER THE RECOMMENDED TERMS! To do so just reply to this email with the single word YES. I will then contact you with further information (I will need a print quality digital master for each print sold through EN1 Prints. If you want to set special prices or a different edition size then email me with your proposal. I strongly recommend that to reduce costs to a minimum you accept the standard deal! 
 If you want to look at the offer in detail you can read the detailed prospectus, African Print Services: A New Sales Opportunity for African Artists . This also describes what you need to know about the digital images required by the printers. The bigger the digital image, the better: but they can manage with relatively low resolutions, the minimum being some 1600 x 1200 pixels.
 I LOOK FORWARD TO HEARING FROM YOU! If you have any questions, just reply to this email, or drop me a line at editor@negativeentropy.net .
 Best Wishes,
 Keith
FROM: Keith McFarlane
Editor, Artworld
Nicolaas Witsenkade 47-B
1017 ZV Amsterdam
The Netherlands / NL

Call for International Photography Submissions on the Theme of IDENTITY

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The WYNG Masters Award welcomes photography submissions from all over the world. An annual,  issues-based award headquartered in Hong Kong, this year’s theme is IDENTITY. Images must relate to the theme and be made in or relate to Hong Kong.

The deadline for submission is 15 September 2015 (23:59 Hong Kong time; GMT + 8:00).

From 15 June to 15 September 2015  the WYNG Masters Award invites both international and Hong Kong artists and image-makers to submit photographic-based work. The visual content must be related to Hong Kong and to the chosen theme IDENTITY. Finalists will be selected by a panel of international judges and their works will be exhibited in Hong Kong in Spring 2016. A full-colour catalogue will be published to coincide with the exhibition. The WYNG Masters Award will also host a series of talks, panels, and seminars during the exhibition period. The winner of WYNG Masters Award will receive a cash prize of HKD$250,000. Each of the six additional finalists will receive HKD$15,000.

The WYNG Masters Award international panel of judges is composed of industry leaders in photography, art, publishing, and non-profit. They include Zoher Abdoolcarim, Abby Chen, Louise Clements, Frank Kalero, Leung Po Shan, Mary Ann Camilleri, Theme Judge (to be confirmed).
For details on how to enter please visit Entry Rules.

About IDENTITY

“Always remember that you are absolutely unique. Just like everyone else“
– Margaret Mead

Certain aspects of one’s individual identity such as race, gender, ancestry, genetic makeup and so on, come naturally at birth.  One could, however, consciously choose other aspects such as nicknames, profession, religion, hairstyles, ways of life, gender expression et cetera, to make oneself more unique. Between choice and nature, there are aspects such as nationality, history, psyche and social roles, which influence our sense of identity. Identity could simply be personal disposition, or an unwilling imposition by the society at large.

If identification of self makes the person, collective identity allows for mutual recognition-security as well as solidarity.  Group attributes, though, could be real or virtual, lasting or ephemeral, like one’s profile on social media. Overemphasis of the collective, however, could result in alienation, prejudice, confrontation and even enmity.

In the age of globalization, a local majority could easily become a minority in the wider world.  As global citizens, we hope for and embrace the belief that elastic and flexible identities can bring diversity and progress, rather than confrontation.

If defining our collective identities in this city seems like an almost impossible pursuit, images could, perhaps, provide a platform to start.

“Most people are other people.  Their thoughts are someone else’s opinion, their lives a mimicry, their passions a quotation“
– Oscar Wilde

www.wyngmastersaward.hk

Call for Submissions: Photographic Still Life Bodies of Work

 

Touch.My.Prints seeks projects, finished or in-progress, of photographic still lifes.

Touch My Prints is interested in the special way the photographic process can flatten space.

In the process of a studio still life the artist can have complete control over lighting, objects, composition, etc. This control allows for a constructed environment to showcase a wide range of concepts.

Touch My Prints seeks these highly controlled still lifes to showcase in TouchMyPrints ISSUE04.

Bodies of work will be prioritized over a series of individual images.

SUBMISSION GUIDELINES

Submission Fee: Free

Please submit 3-5 works from a body of work (complete or in-progress) for ISSUE04. Please include a brief description of your body of work / artist statement. (250 words or less)

IMAGE SUBMISSIONS

Please submit files at 300 dpi, with the longest side being 8 inches (2400 pixels), 8-bit and as a JPEG.

File Name would be Doe_Jane_01.jpeg

In the email (TouchMyPrints @ gmail .com) please list the following information for each image.

Title, Year Produced
Medium (i.e. Screenshot / Digital Photograph / Digital Collage)
Your Website (Professional Site / Twitter / Tumblr / etc)
Brief description of your body of work. (250 words or less)

GENERAL GUIDELINES

Submit your own work.
Follow the guidelines.
Please email  if you have questions.

SUBMISSION DUE DATE: July 20, 2015

 

 

Great Outdoors: Artist Designs Win Product Line, Enter by June 15th

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Bridgeman Studio, Creative Review and Culture Label are sponsoring a competition called The Great Outdoors for artists to win:

Three artists will have their own product line created and sold at Wilderness Festival and on the CultureLabel website here

Grand Prize: a 500 GB Pound commission to design the Wilderness Festival map, distributed to all attendees at the festival in August.

The competition is open until 15th June 2015

• Maximum of 5 entries per artist.
• All images entered into the competition remains 100% copyright of the artist.
• All images can be used in marketing and advertising the competition from Bridgeman and third parties (Creative Review) .
• Entrants must give permission for their names and photographs to be used for publicity.
• The entry can be photography, illustration, digital art or fine art.
• All images must be 100% original copyright owned by the artist and not use any third party copyright material.
• Entries must be supplied as two files, one high-resolution .jpeg sized between 3MB and 5MB, and one low resolution version, sized between 250KB and 500KB
• By submitting an entry, each entrant agrees to these terms and conditions. Entry is open to all artists, of any age, in any country
Please fill out and send Studio Award Entry Form  and your images to: competition@bridgemanstudio.com

Read more about the Competition Terms & Conditions here

Artists looking for art licensing companies for their art and designs click here and here.

 

 

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ArtPOP Promotes Artist’s Work on Billboards

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ArtPOP! Promotes  Artist’s Work on Available Billboard Space.

Wendy Hickey is promoting artists and beautifying America with her ArtPOP! program.

Selected artist’s work is printed large-scale on a vinyl material that is guaranteed to last outdoors for one full year. In some cases, the artists receive their vinyl to keep.

But Wendy also plans to create purses, wallets, and messenger bags from the vinyls to sell and further fund the ArtPOP! program.

If you’d like to help fund ArtPOP! or if you are an artist interested in participating in your city, you will find further details in this feature article in Xposy Multimedia Magazine.

Billboard art by Jason Woodberry of Charlotte, North Carolina

Billboard art by Jason Woodberry of Charlotte, North Carolina

Online Gallery Call For Artist Portfolios

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— pivot art gallery is seeking artists who would like to have a portfolio of their work considered for presentation on the online gallery. Generally, a portfolio is up for a month beginning on the 15th of each month, after which a condensed version stays in the pivot art gallery archives.

— pivot art gallery is devoted to showcasing emerging aesthetics – that is, a sense of art viewed through various media, avenues of expression, and the intersection of these that reveals a unique contemporary arts perspective.

— edgy, conceptual, and otherwise challenging work encouraged !

— if interested, please email the following information:
link to site/portfolio | bio | artist statement | any other relevant info | your questions

to info [at] pivotartgallery.com

— to find out more about the gallery, visit the site and blog at www.pivotartgallery.com

— also interested in hearing from artists/writers who write about art and would like to publish on pivot art gallery

— there are no fees
http://www.pivotartgallery.com/

Deadline: Fri Jul 31st, 2015

 

Find more opportunities here and here.

If you want to review more sites, click here and here.

 

Artists Submit to SFMOMA’s Submission Friday

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Artists submit your art and fine art photography to SFMOMA.

Every Friday, the San Francisco Museum of Modern Art (SFMOMA) posts a selection of original artwork submitted by artists to their Tumblr blog here.

They prefer that you submit photos and videos, but you can also submit a direct link to a post on your personal Tumblr blog.

Read the submission guidelines here.

SFMOMA also has a larger blog Open Space here.

Get featured and get some visibility!

Find more opportunities to get your art featured in our Art Magazines | Art Blogs E-list for Artists here  & here.

 

 

EN1 Prints UK | Call to Artists + Photographers

EN1Prints

EN1 is planning to launch their new art print sales site on June 1st!

They are Seeking Artists & Photographers who wish to sell their work in ‘Prints’. Artists can get in touch via email with Ceri:  ceri@en1prints.co.uk

Hi Marie,

Thanks so much for the offer to Post on your blog.  We really appreciate it!
We are seeking further Artists who wish to sell in ‘Prints’. Launching 1st June (only a few days left) but we will continuously seek further Artists as we expand. Lowest Commission Rates Available and fabulous Incentives for Artists. Promotions, Big Advertising Spend.
The Website – www.EN1Prints.co.uk will be ‘Live’ for Monday 1st June.
Please use this email address – ceri@en1prints.co.uk for any Artists who wish to contact us for further info.
Again, thank you so much and we will certainly return any favours for this!  Just ask!!!
Kind Regards
 
Ceri 
 
Visit us at www.en1prints.co.uk (Please note..our new website will be available for June 1st)
 
Follow us on Twitter @en1prints

Two #artopps Sent To Us By Readers: Art Space Exhibition and Robots for Photos

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First, Mary Campbell sent us her Mail Art Call–

WHAT do you WISH for your community? Less noise? More bicycle paths? Cleaner air? Keep it the way it is? Send us your hopes in art!

Deadline: June 26, 2015.
Size: 12″ x 12″ or 304.8mm x 304.8mm

Send to:
Mary Campbell / Day de Dada
123 Scribner Avenue
Staten Island, NY 10301
U.S.A.

Only original works of mail art are accepted, no photocopies.
Send us your artwork by regular snail mail only.
Please provide your full name and email.

No jury, no return, no fee, no sale.
All entries will be exhibited, however because of the public nature of the site, any images not appropriate for viewing by all ages will not be displayed.
Entries will be exhibited at the Staten Island Arts Culture Lounge, an art project space in the Staten Island Ferry terminal, July 16, 2015 – September 20, 2015
Nearly 75,000 Staten Island Ferry passengers go through the ferry terminal each day, including local residents, commuting workers, and tourists. The SI Arts Culture Lounge is open six days a week and there will be several special events in conjunction with this exhibit, so your work will be seen by many people!

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New start-up Robots for Photos comes up with a new service for photographers that makes their lives easier by making the sharing of their photos online as simple as possible. How? The service enables uploading, sharing and managing photos on multiple online services at once.
The service is currently in closed beta. There is a long waiting list for invitations which is why we are giving you an exclusive invitation code for you and another 10 invitation codes for your readers. 
The invitation codes for your readers are listed below in the Press Release.
Thank you for your time!
Tomas Hellebrand
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Upload photo once, publish it everywhere: New service for photographers makes sharing photos easier.
Do you like to share your photos on various online services? And what about uploading every single photo over and over again? I bet you’re not crazy about that, and neither is Tomas Hellebrand. Which is why he has come up with Robots for Photos, a new service for photographers that takes care of the boring tasks: uploads photos for you into various photo servers and online galleries (such as Flickr, Facebook, 500px).
With Robots for Photos you upload each photo just once and select where you want to publish it. Currently the 500px, Flickr, Facebook and Twitter are supported and many more services will be added later.
You may publish a photo with the service right away or you can schedule it to be published automatically at specific time. That comes handy as the time you’re at your computer might not be the best time to publish your photos as well.
The service is free but as it is currently in closed beta, you need an invitation code to be able to register to the service. We have 10 exclusive invitation codes for you so grab them quick! Don’t worry if you don’t make it, you can get the code also by subscribing at http://robots.photos.
Here are the codes:
IDQLDR
FQCELE
JQGUIN
MVNXOL
RHLHXR
AGURRX
IXOKCA
PLQWFY
KSUXPJ
JHQUOO
Apply the codes at http://robots.photosblogphotobanner

New MergeArts NYC Multi-Genre Events Accepting Submissions

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I’ve been in communication with Faith Verrill, off and on, over the past few years. This week, she sent me news of MergeArts NYC, an organization that produces monthly multi-genre events with 20+  selected artists bringing art, music and fashion into a live show..

They’re accepting submissions–you can complete the form here.

They also have a gallery coming soon.

Their address:

m1-5
52 Walker Street NYC, NY
USA

 

 

Call for Submissions of *Glitch Art* for USA Gallery Exhibition

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Note: Galleries and arts organizations regularly email their calls to Artist Marketing Resources. We don’t post everything we receive. Primarily, out of consideration for artists, we share opportunities with no submission fees. *********

Eyedrum Art Gallery is currently seeking a wide range of examples of “Glitch Art” to display in an upcoming exhibition to be called, Behind the Static, which will take a deeper look at the origins and future of Glitch within the context of art making, in which artists are manipulating materials to create and/or exploit glitches, capturing and documenting accidents and bugs in the system, or ghosts in the machine.

Consideration will be given to physical objects such as imperfect 3D printed objects, digital prints, drawings, paintings, sculpture, photo, text, textiles, installation, sound, and interactive pieces based on the concept of glitch. Digital-only works will also be accepted and will be displayed using projectors, monitors, etc.

In addition to visual art, Eyedrum is seeking proposals for demos, workshops, discussions, and performances that reference glitch.

To submit, please send up t o 5 numbered images and/or links, title list with medium numbered to correspond with images, artist website (if available), and current CV to glitch.eyedrum@gmail.com by Midnight EST Aug 1, 2015.

Artists will be responsible for any shipping/transportation costs for all non-digital accepted submissions but special consideration will be given where possible.

Behind the Static opens October 24, 2015 at Eyedrum Art and Music Gallery, 88 Forsyth St SE, Atlanta, GA 30303 and will run through the end of 2015. Eyedrum.org

 

 

Artists #Submit to SuperSonic: New Contemporary Art Blog

Screen Shot 2015-05-14 at 5.42.04 PMSUPERSONIC is a new contemporary art blog curated by Zach Tutor, running on Tumblr with over 445,000 followers. SUBMIT YOUR ARTWORK. For consideration, submit the link to your website only.

Submission Guidelines:

Please submit links to your website/portfolio only.

Please include your email address in the “DESCRIPTION” section.

Please do not link to single images, they will not be considered.

You can also submit via email by emailing supersonicart.com@gmail.com

Submitting your work does not guarantee being posted on Supersonic.

 

Find more Art magazines and art blogs here and here.

 

 

Call For Artists: Solo Exhibits in Amsterdam, Madrid, Milan

blogTINA

T.I.N.A. (This Is Not an Art Prize) is an International platform for artists to get in touch with a network of galleries and curators interested in evaluating new projects. T.I.N.A. is open to all artists, regardless of age, technique and nationality.

T.I.N.A. currently has an open call for artists to submit for 7 solo exhibitions in Amsterdam, 6 solo exhibitions in Madrid and 4 solo exhibitions in Milan.

Artists may enrolled to interact with an international team of curators and with galleries. Each gallery will evaluate the work of all participating artists; will choose its favourites and nominate a winner to organize a solo exhibition. Each gallery will appoint one winner.

The basic subscription t o T.I.N.A. Prize costs 35 euros and includes the registration to one city with one image. Your registration will last 12 months from today and will allow you to enter all cities of the network at only 15 euro each all year round. Click here to enter.

Each season T.I.N.A. proposes a new open call to artists for solo exhibitions in three different cities.

For more gallery exhibition opportunities click here and here.

 

 

‘ex-ca-vate-site-two’ Open Call to UK Artists Schwartz Gallery

'ex-ca-vate-site-two' curated by Ismail Erbil 2015

 

UK Artists, if you are making contemporary work, take a look at the past shows at Schwartz Gallery on their website. Or visit the gallery now. If your work fits, then the small fee to submit to this opportunity may get you in. If you are looking for more art galleries click here  and here.

‘ex-ca-vate-site-two’ Open Call to Artists artists living and working in London and the U.K only.

Curated by Ismail Erbil

Deadline for applications: Thursday 21st May 2015

Exhibition dates: 03.06.15 – 04.07.2015
Gallery opening times: Thursday, Friday & Saturdays 1 – 6 pm or by  appointment

Whitechapel Gallery’s First Thursdays: 4th June & 2nd July 2015, 6 – 9 pm

‘ex-ca-vate-site-two’ is a group show in an open call format curated by artist-curator Ismail Erbil that investigates the relationship between finished works and those found in the artist’s studios, thinking of this relationship as a type of excavation.   Re-visiting the studio in a gallery environment Erbil records and reconsiders curatorial relationships and questions the context of the gallery versus the studio revealing often hidden or unseen aspects of an artist’s practice. Displaying a sense of unearthed visions creates unorthodox sites of interaction between artworks, the gallery space and the viewer.  A large structure in the centre of the gallery references Joseph Beuys sculpture work ‘Fat Battery’ 1963 and Meret Oppenheim object 1936.  This investigation at Schwartz Gallery extends from Erbil’s ideas of ‘digging’ for minimalist visions, saturation and construction as a dimension of the artist’s role, questioning the act of erasing and displaying broken artworks.  The viewer will also have the option to be guided by the gallery assistants to link up finished objects with studio objects disrupting their process of engaging with the exhibition and shifting their role into that of active agent in the context of the exhibition as an installation.

TERMS & CONDITIONS:
Artists are encouraged to apply with work that responds to the above ideas of excavation, unearthed visions and the idea of finishes versus the unfinished.
If you would like to be part of ‘ex-ca-vate-site-two’ please continue to the applications guidelines below:

KEY DATES:
Deadline for applications: Thursday 21st May 2015.  Selected artists announced on Schwartz Gallery website: Tuesday 26th May 2015
Private view: Wednesday 3rd June 6 – 8.30 p.m
Exhibition dates: 03/06/15 – 04/07/2015
Opening Hours: Thursday – Saturday 1 – 6 p.m or by appointment

FEES:
Application and processing fee: £12 (via paypal) per application of up to two artworks per artist.  The fee is non-refundable. Please include your PayPal Payment Reference Number when completing the ‘ex-ca-vate-site-two’ application form.

GUIDELINES:
*‘ex-ca-vate-site-two’ is open to artists living and working in London and the U.K only.
*Work across all media will be considered. There is no size restriction.
*Each applicant can submit up to two pieces of work, saved as JPG files no larger than 1MB per image ( 2 images in total maximum per applicant).
*Selecting studio objects by the selected artists will be the responsibility of the curator.  Artists should not to send images of studio objects but only of finished works.
*Each applicant should attach a one page CV when submitting their application (word doc or pdf).*No late submissions will be accepted.
*THE GALLERY WILL  NOT CONSIDER ARTISTS WORK WITH IMAGES LARGER THAN THE 1MB PER IMAGE LIMIT. THESE APPLICATIONS WILL NOT BE CONSIDERED.
*All works must have been made since 2013.
*Applicants should be aged 18 and over at the time of applying.
*Number each image to correspond to the work list on the application form.
*Schwartz Gallery reserves the right to not display any artwork that is significantly different from the art that was accepted from the submission.
* Work submitted must be available and remain on display until the end of the exhibition with selected artists signing a consignment form.
*Work will need to be collected at the end of the exhibition (Selected artists will be contacted regarding the delivery and collection dates).  The gallery can arrange for work to be posted back to the artists as long as all costs and packaging have been covered by the artists.
*Artists are advised to insure their own works. The gallery will not be responsible for theft, loss or damage to their work.
*Once artists have delivered work, the hanging of the show will be the responsibility of the gallery. Exhibited works may be photographed for promotional purposes.The gallery reserves the right to extend the application deadline and re-schedule the exhibition dates.
Please e-mail your completed application form and all required support materials to info@schwartzgallery.co.uk with your name and ‘ex-ca-vate-site-two’ in the subject title.

http://www.schwartzgallery.co.uk/

Schwartz Gallery, Schwartz Wharf
92 White Post Lane, Ground floor, Building 2, London, E9 5GU
Copyright © 2015 Erbil.Michalopoulos, All rights reserved