We’ve sent out artist e-postcards to top art galleries currently reviewing work. The e-postcards are e-mailed individually along with the link to the artist’s website. There are two e-postcard marketing option for artists. Click here for details on E-Postcard Marketing Plan A. Click here for E-Postcard Marketing Plan B.
Painter Kathryn Arnold is represented by the Sandra Lee Gallery in San Francisco, and is seeking gallery representation in Southern California and other regions.
As a previously featured artist, in a 2013 issues of ARTiculAction, I’m glad to see the publication project expanding. To celebrate their 10th edition, they’ve launched ARTiculAction 2015 – Biennial International Call for Artists– a special Biennial competition. The objective of this Biennial competition is to publish a selection of works which show polyandric aka polyhedric or art many-sided in nature.
Artists may submit:
- Fine Art Photography
- Mixed Art
- Body Art & Experimental Dance
No entry fees for submissions.
Just complete the entry form that you will find at http://articulaction.yolasite.com/enter-submission.php or contact our editorial board directly to: email@example.com
Artist may sign up free on the Public Artists website www.PublicArtist.org. Once you have your account set up you may select options to receive email notifications for opportunities. You can select local, national or international opportunities, and also–
Select the types of projects and media for which you would like to be considered.
| Architectural Arts
On the PublicArtist site you can search for public art projects that require electronic submissions.
If you are an artist interested in getting a public art contract, below is a sample of a current RFQ or Request for Qualifications, the first step of the process. To submit to a public art project RFQ, you are not expected to provide your completed art proposal, but rather a statement of interest in the project, including your general approach and experience working on comparable projects in regard to size, scope, and budget (1,000 words maximum). This statement should take the form of a description of the process from design through finished installation rather than that of a specific design proposal. Include Up to ten images of previously completed work relevant to the project.
PUBLIC ART OPPORTUNITY for GE AVIATION – ASHEVILLE, North Carolina REQUEST FOR QUALIFICATIONS (RFQ) announcement date: August 4, 2014
Eligibility: North Carolina Artists
Submission Deadline: Friday, August 29 5:00 PM EST
Installation: Spring 2015
PROJECT AND SITE DESCRIPTION
GE Aviation – Asheville, a global leader in jet engine and aircraft system production, seeks to commission an aviation inspired piece of public art to be installed at the entrance of its newly built advanced composites factory located at 502 Sweeten Creek Industrial Park, Asheville, NC 28803. This 170,000-square-foot facility will be the first in the world to mass-produce engine components made of advanced ceramic matrix composite materials.
GE Aviation – Asheville is a world-leading provider of jet and turboprop engines, components and integrated systems for commercial, military, business, and general aviation aircraft, and ship propulsion applications. A jet engine specific reference is desirable, but not required.
ELIGIBILITY This opportunity is open to any artist or artist team living and working in North Carolina. Preference will be given to artists living in the 23 counties of western North Carolina.
SCOPE OF WORK
The piece will be installed outdoors in a 10’ by 10’ square space (vertical dimension flexible) near the entrance of the building. Any necessary footings or site preparations will be the responsibility of the artist
Climate, maintenance, safety, and durability must be addressed in the design. Vehicular and pedestrian traffic must also be considered. Incorporating green practices or materials is desirable. ! The finished piece will require little to no regular maintenance. The selected artist will be expected to collaborate! with all necessary parties for the successful installation of the piece.!
|Friday, August 29||Submission of qualifications due by 5 PM EST|
|Friday, September 5||Notification of finalists|
|Friday, September 19||Selection committee interviews|
|Friday, September 26!||!Notify selected artist|
|Wednesday, October 15! !Presentation by artist at grand opening|
|Spring 2015!||!Installation of completed artwork!|
Up to three finalists will be selected directly from the initially submitted RFQ applications to present detailed proposals. From the pool of interviewed finalists, the selection committee will commission one piece.
A selection committee of five to seven members, including an artist or public art professional, and at least four GE Aviation – Asheville representatives will review submissions and award the contract. Plato! Strategies, a public art consulting firm, will facilitate the selection process.
Previous experience in design, production, and installation of public art.
Approach to the project, articulated in the statement of interest. Appropriate facility and technical capabilities for design, production, and installation!
Friday, August 29, 2014 by 5:00 PM. To ensure fairness to all, there are no extensions or waivers of deadlines.
Responses to this RFQ will only be accepted electronically at www.PublicArtist.org. If you aren’t a member you will be asked to set up a free account. From there you can search for this project and related planning documents. Mailed or hand delivered hardcopy packets, videos, or optical media will not be accepted.
Once logged in to the application site you will be asked to submit the following information:
‣ Artist(s) name(s), name of business, mailing address, phone number(s), email, website.
Up to ten images of previously completed work relevant to this project.
A resume (two pages maximum) for each team member highlighting professional accomplishments.
Any proposed design accompanying this RFQ submission is optional.
Each finalist will receive $1,000 to cover costs to present their concept to the selection committee. This amount is intended to cover all phases of research, concept development, and associated costs
including travel, materials, samples, and models.
Interviews with the selection committee are scheduled for Friday, September 19, at the GE Aviation – Asheville offices.
This project is managed by GE Aviation – Asheville, under contract with Plato Strategies.
All correspondence and communications by and between applicants and members of the selection
committee should be directed to: Geraldine Plato http://www.PLATOstrategies.com email: geraldine@PLATOstrategies.com
Discussion regarding this project, by and between any applicant and any member of the selection committee outside of regularly scheduled meetings during the selection process may be grounds for the disqualification of the applicant. Such determination shall be at the discretion of GE Aviation - Asheville.
The commissioning of an artist or artists by GE Aviation – Asheville and the pursuit of all GE Aviation – Asheville activities are implemented without preference to racial or ethnic origins, gender, sexual
orientation, religious affiliation, disability, or age.
GE Aviation – Asheville reserves the following rights:
‣ to modify this solicitation and to request additional information from participating artists
‣ to reject any or all applications or proposals, to reject any finalist, to waive informalities in applications or proposals, or to terminate the selection process for any project without prior notice!
The selected artist(s) will enter into a contract with GE Aviation – Asheville. A copy of the provisions of the contract is available upon request.
Artists retain all rights of copyrighted materials submitted, except as limited by this section. By submitting to this RFQ those artist(s) responding to this prospectus agree to a copyright release for controlled usage of the submitted materials for committee distribution, GE Aviation – Asheville, shall not! be responsible for any third party infringement of artists’ copyrights.
The chosen artist will be required to provide certification of:
GE Aviation – Asheville requires that the final approved contract for professional services specify that the selected artist(s) shall maintain at all times during the term of the contract, at its sole expense:
Statutory workers’ compensation in accordance with the laws of the state where such compensation would be payable. Employers’ liability (Coverage B) with limits of not less than $500,000 per accident. Automobile liability insurance on any owned, non-owned or rented vehicle with limits of at least $1,000,000 per occurrence combined single limit bodily injury and property damage. Comprehensive general liability, including products liability, completed operations liability, blanket contractual liability, broad form property damage and personal injury liability insurance with limits of at least $1,000,000 per occurrence combined single limit. Professional services liability for a limit of not less than $1,000,000 per occurrence. Visual artists cannot obtain professional liability insurance; however, in the event that services delivered as a part of this agreement require professional services by a subcontractor of the ARTISTS, Professional Liability, Errors and Omissions coverage shall be provided by the subcontractor. “Professional Services”, for the purposes of this agreement section shall mean any services provided by a licensed professional, such as structural review or engineering. The subcontractor of the ARTISTS shall provide a certificate of insurance to ARTISTS as to proof of Professional Liability Insurance.
GE Aviation – Asheville shall be named as additional insured and be provided with a certificate of insurance prior to the effective date of the contract or any renewal contract. GE Aviation – Asheville shall be provided with all renewal certificates within 30 days of the expiration date of any and all policies listed on the certificate of insurance.
While we’ve frequently mentioned our Art Gallery list and Art Magazine list in our blog posts of late, we haven’t yet mentioned our web store until now. Visit the Artist Marketing Resources web store to browse and shop here. Right now there are ten items in our web store for visual artists. Plus we have plans for adding more artist resources to our store soon.
Artists, our latest promotional efforts with our new e-postcard marketing Plan A and Plan B have gotten underway this summer and with great interest! We’re sending E-postcards out to galleries in each of the participating artist’s home states, as well as to art galleries in major art centers such as New York City, London and other cities around the world. Some artists have had gallerist contact them right away after receiving our e-postcards! We also share artist’s e-postcards on Twitter, Pinterest, Facebook and on our blog so that they appear in our newsfeed in the ArtWorld app.
Each time we send out a set of e-postcards, we include the clickable link to the artist’s website so that the recipient may view more of the artist’s work.
We’ll be sharing more of these, but for now, here is a sampling of some of our artist e-postcards–
I’m continually on the look-out for quality fine art blogs, and I like to share the best of them with my own blog readers.
Yesterday, I discovered The Curating Contemporary blog which seems to have launched about a year ago in April 2013. The blog currently has a feature interview with artist Clayton Colvin in Birmingham, Alabama, USA, with lots of studio shots and artworks. Since I just found the blog, I don’t know how frequently they publish. But you will find previously published blog posts in the sidebar menu on the Curating Contemporary blog here.
I’ve added Curating Contemporary to my 45 page list of links to art magazines and blogs for artists to read and submit to get their work featured–find the list here.
I want to share this video interview of a UK artist. I love his angst-free descriptions of his painting process and love of the light in his studio, simplifying the complex process of painting into something pleasant and interesting.
Artists can apply annually, beginning 1st of April. This year 2013, the deadline for applications is the 15th of June. Usually more time is allowed for applicants to submit, but due to high number of applications last year, the application period has been reduced. For the first time, the foundation has a dedicated online application tool for all artists applying for the program on their website: http://www.lepsien-art-foundation.com/
Basic criteria for the application:
The candidates must already have a degree from a recognized national or international art college/university and must have already gained some first public recognition (e.g. exhibitions, publications, etc.). Applicants should not be older than 39 years at the time of applying for the grant program.
An integral part of the grant program is the provision of studio spaces in the Art House Düsseldorf, Germany (http://www.the-art-house.eu/) where the five awarded artists will work together for the period of the program. Furthermore the program includes the production and publication of limited art editions (Edition Lepsien Art Foundation) jointly with all grant holders. At the end of the grant program a joint exhibition of all artists will take place and an annual catalogue will be published with the Kerber Group in connection with the final exhibition.
Yesterday, we posted a video on how to do a reverse image search using TinEye. Artist Corrine Bayraktaroglu also alerted us to the online tool Google Reverse Image Search. She wrote: “Early in May, I had read somewhere that you can do a reverse image search on Google. So I tried it, and was shocked to find one of my photographs on a slide show for school digital backgrounds. Doing a reverse image search can help you find your images even if the infringer has renamed the file or stripped away the data. I continue to find other images being exploited and used for music covers, in music videos, by art and craft companies, etc.”
Corrine sent us a photo of her original easel painting portrait of her daughter. She keeps the painting in her home. Corrine wrote: “For privacy/professional reasons I don’t want to use my daughter’s name or photograph” published online at this time. The photo above shows a larger version of Corrine’s portrait painting of her daughter displayed in a street art project. However, the artist is convinced that the Zearle Youthful Folly album cover art is not only her easel painting version of the portrait, but also her own photograph of her easel painting that she had once posted to her blog and not a photograph of the street art version of her art. “Nobody could have taken the image (used on the album cover), the photo is based on an interior shot, the lighting would be a very different and a crisper version (of the image) had it been taken outdoors. Plus the person responsible has admitted to using my photo in his email to me. When I posted the photo online it was blurred (just as on the album cover),” Corrine wrote to us.
The artist has now become proactive when sharing her art images. Corrine wrote that when she started her blog 6 years ago, ” like any fairly new artist I wanted to promote my work. I made the mistake early on of putting out higher resolution pics.” Later, she posted only lower resolution photos of her work and eventually began using– ” a variety of means to try to protect my photographs and images of my paintings: using right-click features on my blog, reducing the size of the image, sometimes putting on a small watermark of my full name or an initial stamp with CB on the online version of the images.” For the most part she was able to keep track of the use of her images. She sent out cease and desist notices when needed. “I kept regular track of my work, but regular searches didn’t expose the current crop of images.” Only by using the reverse image search tool did Corrine make her discoveries. She has since deleted her Flickr account, removed many images from her Facebook page and her Picasa album, and put the bulk of her blog entries into draft mode. “I have taken screenshots of infringing sites and made HUGE changes on my site. I’m vigilant about filing DMCA reports and have asked Google to remove some of my images, plus I’ve added a no pin (Pinterest) meta tag to my blog.”
When Corrine Bayrak contacted Artist Marketing Resources, we shared copyright resources with the artist. As we were discussing options, the artist discovered another of her artwork reproduced on a second music album cover produced by Prospect Records–
My journey into copyright infringement is getting weirder– a wiki site mistakenly listed one of my spin paintings as being done by Damien Hirst and then I find a news article about a man arrested trying to sell fake Hirst paintings to Sotheby’s.
ps. I think my daughter has the spin art painting depicted in the news article hanging in her garage LOL.
Seek Art, a Beta site for what I refer to as high-end art, produced the RAZE site-specific exhibition in Beijing featuring a range of media, including sculpture, installations, sound, and street actions with QR-Codes appearing as part of the exhibition pointing to a media based project online.
For RAZE, the artist Zhang Ding served placebo ecstasy-shaped cakes to the viewing audience during his performance, inviting them to consume and altering their states of mind or experience through participation. The artist then took portraits of viewers.
Seek Art then produced a limited edition DVD of the RAZE exhibition, available in their /Lab.
The Seek Art shop offers limited-edition art objects created by artists and produced by their /lab.
The SEEK-ART.com network of international artists range in medium and practice. Michele Thursz, Founder and Artistic Director, is an independent cultural producer and consultant based in New York City. From 1999-2009, Thursz co-founded and directed Moving Image Gallery [MIG], NYC, one of the first galleries to show contemporary artists using electronic and computer-based mediums. You will find her contact information on the Seek Art site.
Calling all artists, architects, curators, or theoreticians–– do you have ideas regarding new forms of public monuments that you’d like to share? Here’s your chance.
As one element of the international group exhibition Open Monument at Kunstraum Kreuzberg / Bethanien, Germany, running from May 3 to Jun. 16, an online platform of your ideas will be open for submissions. This unique exhibition explores multimedia and transformative historic monuments through the platform THINKABOUTSPACE, alongside 10 international artists’ works in the gallery space–– from installation to documentation of architectural design. Even walking tours through Berlin will be conducted by various residents showing their special, hidden places–– their personal monuments.
The online platform THINKABOUTSPACE will include everything from image, text, sound, video, and architectural models referring to possible ideas for a new historic monument. The stipulations are almost none, the possibilities endless. Material gathered for THINKABOUTSPACE will be infused in the exhibition and projected alongside the works of Open Monument. The deadline for submissions is April 20 and contributions can be nominal or anonymous. Send material to firstname.lastname@example.org with the subject line: “proposal for thinkaboutspace”
IKONO & ARTCONNECT BERLIN VIDEO SPOTLIGHT SERIES 2013 - #3 OPEN CALL FOR PAINTERS
ikono invites Berlin based artists to take part in a year-long series of open calls held in collaboration with Artconnect Berlinto promote the visibility of the arts on a local and international scale.
Every other month in 2013, ikono and Artconnect Berlin will encourage submissions of artworks from local artists. Two artworks will be selected from each open call and presented on our local and international media platforms throughout the following months. Each call will focus on a specific artistic medium as a criterion for submission: sculpture, photography, painting, installation and drawing.
We are really happy with the results of our first two open calls, sculpture and photography! We are now ready to move on to the next one: until May 13th, we are searching for submissions of paintings from Berlin based artists. There is no specific theme.
The two artworks selected from each call will be showcased in two unique films produced by ikono. They will be broadcasted on its two internationally viewed HDTV channels, ikonoTV (Germany) and ikonoMENASA (Middle East, Northern Africa and Southern Asia). The videos will also be presented on Artconnect’s and ikono’s blogs, alongside with in-depth interviews with the featured artists conducted by Artconnect Berlin. At the end of 2013, ikono will produce a short retrospective film highlighting all selected works to conclude the series.
The entire collection of open call interviews and films will remain available as an archive on Artconnect Berlin’s and ikono’s websites for general public access.
How to submit:
If you have all the information mentioned above, you are now ready to submit. You can do it at the following link: http://ikono.org/open-call/still-image/ !
We are really looking forward to seeing your paintings! Good luck!
Please send any further questions to: email@example.com
Dream The End, New York, will be accepting submissions from artists of every medium and discipline. Dream The End wants to give you the opportunity to have your work showcased on their front page. In order to submit your work for consideration, please email samples of your work or website links to submissions. If chosen, you will see your images, sounds, motion, or words on their front page along with your very own artist page at Dream The End.
A bit about Dream The End – part-magazine, part-exhibition space, part-online gallery. Dream The End aims to create a multi-sensory online experience to showcase the very best established and upcoming artists in every discipline, format, and style. Pulling together a wide range of visual art, poetry, video, and music, Dream The End publishes monthly editions, centered on a theme or collaboration with a leading creative from the world of art, design, or music. Since its relaunch in 2012, Dream The End has featured more than 500 artists and 2,500 works of art on the site.
Whether you’re a painter, musician, sculptor, writer, or filmmaker, submit your work to Dream The End to take part in one of our most exciting collaborations yet. To have your work considered for the edition, simply send samples of your work or website links to firstname.lastname@example.org . If chosen, your work will appear on Dream The End’s front page along with your very own artist page on our site.
Your work will be reviewed by the editors at Dream The End and our Advisory Board, whose members include: Nicole Will of Bortolami Gallery, curator Price Latimer Agah, John Steele of Leslie Feely Fine Art, Alex Jovanovich of Artforum, artist Leor Grady, Vasi Papadopoulos, and Susan Strebel of New York City Center.
Paintings from Leon Sarantos’ Organic Creatures series are on view until next Saturday, April 6, in the Mad World, National Juried Exhibition, at Union Street Gallery, 1527 Otto Blvd, Chicago Heights, IL 60411. Sixty artworks from among 271 submissions were selected by juror Natalie Domchenko (Director: Peter Miller Gallery, Chicago). Over 250 people visited the gallery during the opening night reception.
The Mad World exhibit features art that is absurd, surreal, and simply MAD! Mad World displays art by 33 artists from 11 different US states. Some of the art on exhibit depicts bizarre or imagined worlds, crazy structures not bound by the laws of the gravity, whimsical inventions, and strangely absurd scenarios that appear to be straight out of fantasy or science fiction!
Leon Sarantos’ Organic Creatures paintings combine a feeling of whimsy with a sense of bizarre absurdity. Here is how the artist described his process in creating these paintings– “For the first of these artworks, Organic Creatures Going To The Beach, I actually envisioned it in an instant behind my eyelids as I was rubbing my eyes after some tiring work. I tried to apply the image to canvas immediately, adding all kinds of color and quick composition, while keeping the main figures true to my vision. When finished, I looked at the painting and felt that here were some strange creatures doing something, and sensed that they were on their way to the beach. I then created more oils of this same family of creatures moving about in different settings. My other paintings for this exhibit include Organic Creatures Taking The White House Tour, and Organic Creatures Slurping Up A Mango Smoothie.”
Leon Sarantos also writes–”I’ve gotten a lot of helpful information from your blog, which recently led me to join Artsia and Xanadu, along with lots of other helpful posts.”
Find the artist on Facebook at: https://www.facebook.com/ArtByLeonSarantos
Leon Sarantos website –http://www.leonsarantosartist.com
Figurativas Painting and Sculpture Competition OPEN TO ARTISTS WORLDWIDE
Registration Deadline: May 30 | Submissions due : July 12 2013 | No Entry Fee
Prizes: Painting prize of 36.000 €, a Fund for sculpture of 44.000 € and a Buying Fund to be determined.
The Foundation of the Arts and the Artists of Barcelona (www.fundaciondelasartes.org) is holding this year 2013, the Figurativas Painting and Sculpture Competition– (held annually) since 2006. This competition has a painting prize of 36.000 €, a Fund for sculpture of 44.000 € and a Buying Fund to be determined.
The aim of the Foundation is to encourage and spread Figurative Art.
The main task will be to encourage artistic initiatives and sponsor artists. Figurativas ’13 is being held in accordance with the following rules:
• Any artist who wishes may take part.
• Only one piece of work per author will be accepted in each discipline.
• The work must be original and the exclusive property of the artist.
• Works will be accepted in 1) Painting – min size 60x60cm, max size 300×200 cm, must be unframed (or with a simple strip), and glass cannot be accepted (methacrylate should be used instead); and 2) Sculpture – min size 50 cm on one axis, max 200 cm on longest axis (not including plinth or support), no weight limit but artist must inform organization if artwork weighs more than 200 kg.
Entries will be accepted only thru the competition website at www.fundaciondelasartes.org
Note: Participants have to register by May 30th here.