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Feature Articles on Artists: How To Get Your Art Featured

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Artist Marketing Resources announced the launch of the new ArtWorld Community magazine last week, with Marie Kazalia and Keith McFarlane as co-editors. The first week, both Keith and I have received requests from several artists wishing to be featured in articles.

With all the interest, I’ve begun looking at articles I’ve written on artists and published 3 and 4 years ago–many published in the Yahoo! contributor network, by Technorati News, and on the VASA New York blog, as well as this blog.  One of these early articles I wrote on  R. WEIS – titled Compositions of Manipulated Sound ( read it here) with the artist sending me his sound art CDs so that I could listen to his work. I don’t recall which came first, but I wrote a second article on a Cleveland based Artist Who Uses Sound Chris Kulcar here, with lots of videos of this young artist’s performances included in the article.

My article on painter Chris Osborne’s  Stars and Cars series, including Jimi Hendrix with His Corvette Stingray, Paul Newman with His Racing Datsun, Steve McQueen and the Bullit Mustang here, brought interest due to the subject matter of vintage cars and celebrities depicted in the paintings.

I also wrote a timely article on the efforts of the Artist Power Bank in Tokyo along with American artist Alicia Bay Laurel’s Fund-Raising for Japan’s earthquake disaster relief here. Alicia Bay Laurel’s success goes back to the 1960’s with the publication of her artist book still in print and available today and popular in Japan.

When I wrote my article on Canadian Artist in Scotland – Trevor Jones here, I learned about his research into color and sound theory and his use of music in his art. (Trevor also sent me two of his drawings as gifts!).

I wrote and published the first article on photographic artist Ventiko (here) who has since been feature in print in Interview Magazine!  Ventiko is an extraordinary photographic artist who creates images that look like Renaissance oil paintings.

These are just a select few early articles on artists featured on Artist Marketing Resources. At least one of these artists recently contacted me requesting that I write a new article on his latest work for the ArtWorld Community magazine.

As editor, I am seeking complete articles with images, ready to publish. As feature writer, I offer options to artists here.

More recently, Artist Marketing Resources has featured articles on a wide variety of painters, from Paul Rooms in New York, to Texas cowboy artist J.R. Smith, as well as Jay Burton’s sensual photographic art (here)– just to name a few.

 

 

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Art Galleries In Tokyo, Japan

Shibuya at dusk - Tokyo - Japan

Shibuya at dusk – Tokyo – Japan (Photo credit: Wikipedia)

Many American and European artists would like to tap into the Asian art market.

UK, German and American artists exhibit in Japan and several are represented by the Tokyo art gallery Tomio Koyama Gallery http://www.tomiokoyamagallery.com/en/

located in the popular Shibuya district of Tokyo. View the Tomio Koyama Gallery print editions, here: http://www.tomiokoyamagallery.com/editions_en/

To help artists with their research, we’ve put together an extensive list of international art galleries that current includes over 40 art galleries in Tokyo, Japan, with more researched and added continually.

Plus, we have over 40 Art Licensing Agents, Artist Reps, and Art Licensing Companies in Asia–in Japan, China/Hong Kong, Philippines, Taiwan, Korea, Thailand–listed in our 150+ page Art Licensing PDF.

Imagine Peace Free Downloads

"Wish Tree for Washington, D.C." by ...

Image via Wikipedia

English: John Lennon and Yoko Ono
Image via Wikipedia

Yoko Ono has created the *Peace Tower* to honor John Lennon.

On her website, you will also find her downloadable billboards.

The free download of Yoko’s Times Square New York City billboard of the famous phrase *Imagine Peace* in 24 languages is available in several sizes–HERE.

Yoko Ono has also been creating Wish Trees.

When I visited a temple in Tokyo with a Japanese friend, he showed me long strips of paper printed with wishes, that visitors tied to trees or bushes— a common practice at temples in Japan.

Yoko Ono has made her Wish Tree project instructions available for download here.

Happy Halloween!

Jack-o-latern

Image via Wikipedia

Wishing all readers a fun and safe Halloween. Artist Milan Rubio recently told me that in Spain they used to celebrate, with skulls and skeletons, the Dia de todos las Santos or Day of all the Saints, but that now American Halloween has become more popular. While the Mexican Day of the Dead, or Dia de los Muertos, is becoming more and more popular in the United States, especially in California. In Tokyo, Japan I remember that American expatriates celebrated Halloween with an annual costume party on a train. Halloween was so unusual to the Japanese culture that the costume party made TV news and the front page of the local newspapers. The intermix of cultures gives  me lots of new ideas for Halloween art for next year!

Sugar Skull Mask

Image by totusmel via Flickr

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AZITO Gallery, Tokyo, video

Tokyo dreams– this video interview with a Tokyo gallerist reminds me of my own travels to Japan.  It’s not surprising when the gallerist describes the appeal of *the unexpected*, –the unexpected is a quintessential aspect of Japanese culture, IMO.

The AZITO Gallery  shop specializes in Japanese contemporary art www.azito-art.com

About this blog, about me…

I am an artist and I started this blog in February 2009 with the idea of gathering resources here for artist’s growth.

I was born in the USA and I am an artist working with the possibilities of paint layers and poured paints on my supports of canvas, panel and papers– such layering, poured painting, and stain painting is also know as Process Painting. The formal possibilities of my use of color layers and tones, variety of paints and the resulting surface texture are achieved by varying the paint flow, paint run overlaps, and by creating flow interference, splash and splatter. I have an interest in the possibilities of both maintaining and breaking the hard edge. Close-up gives the vantage point of the pleasure of the painterly poured paint run intermingled with elements of patterning and the finer details of applied image transfers and Asemic writing built up on my support in a dense bricolage. Asemic writing consists of language-like marks unreadable as writing so as to straddle the line between the visual and the textual. My Asemic writing is informed by my formal language studies of Mandarin Chinese at the Chinese University of Hong Kong, China, and language studies at private language schools in Tokyo, Japan and in India. My stronger American influences on my Asemic writing reference everyday product package lettering past and present. My high contrast mixed use of Day-Glo to earth color compositions are responses to Asian and American use of color from ancient to recent Pop aesthetics. Color influences of Japan, India and China and the forms of the written characters of the languages of those countries, as well as those elements in other Asian countries I visited–Thailand, Malaysia, Singapore, Taiwan and South Korea–reemerge in newly abstracted and combined forms. Translucent and transparent  overlays of color contain the opacity of the drawn stroke.  In some of my paintings I work with my collection of large handmade Chinese calligraphy brushes. I abstract written language characters, cut up, juxtapose, and layer fragmented language signs together visually,–sometimes over, sometimes under poured paint, or sandwiched between the layers of my surfaces. In the image transfer elements of my paintings, I incorporate my own drawings photographically reproduced and printed on paper multiple times. Incorporating too, images from my camera–including outdoor night photography shots, and vintage b & w films I shoot capturing both the individual film frames and the overlapped combined images within frame transitions for use as image transfers. I also collect “found images” and have used images in my paintings that I’ve held on to for 7-8 or more years, printed to paper and used  as acrylic image transfers on my supports. Subject matter for my image transfers tend to center around vintage film, holiday and other social symbols and iconography, and commercial product packaging. My daily painting practice yields surprisingly varied results per canvas or composition within the repetition of these techniques and recurring interests of form. Each painting contains traces of what is significant to me, the artist, –my personal progress, growth, shifts, changes, expansions, forward motion, accumulation of thought and work, day upon day, contained within the layers of my paintings, as form, color and texture merge in the spirituality of my abstract painting practice that proceeds from the context of ideas, beliefs and emotions.

Support this blog by supporting my project:

Now until Oct 4th get in on my artist project for rewarding experiences:

Link to My kickstarter project–

http://www.kickstarter.com/projects/2146291558/painting-series-to-completion

Support my Kickstarter project by contributing $1. or more

or Sharing my Kickstarter link on Twitter or Facebook…

Best wishes for a productive day!

Marie Kazalia

http://MarieKazalia.com