Artist Studios Inside Shipping Containers On Board Cargo Ships

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For the growing number of mobile creatives out there world-wide, we published an article on international workspaces for Digital Nomads and Creatives here.  We’ve also recently learned of the ContainerArtRes, and want to share news of this arts organization that invites artists to travel on board container ships and set up their artist work studio space inside shipping containers.

This new artist-in-residence program on board commercial cargo ships for artists has open calls to apply. To receive news of their next open call, sign up for the newsletter here.

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Image courtesy of ddpavumba at FreeDigitalPhotos.net

Image courtesy of David Castillo Dominici at FreeDigitalPhotos.net

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Video: Artist Metrov Responds to Curators Request to See His Process

California artist Metrov demonstrates his skills as an artist, film editor and filmmaker in his “Making Of” documentary video A Study in Body/Psyche Ratios. Below:(runtime: 7 minutes).

Metrov wrote this introduction to his video–

“Last year, I made a (30) minute documentary video about my life in the arts. Though it was well-received, I had a few curators tell me they are mostly interested in the artist’s “Process.” I also got a fair amount of feedback suggesting the video should be shorter. This new video is (7) minutes and focuses solely on “the Process.” Since I’m an experienced filmmaker and editor, it was relatively fun and easy to produce this kind of presentation. I believe the video should help viewers more deeply understand and identify with the work. However, I’m not inclined to write much about it as it should speak for itself. Anyone is welcome to contact me should they want more info.”

A Study in Body/Psyche Ratios (Warning: Adult Content)

Metro’s video demonstrates the “making of” work in his new 2015 series: A Study in Body/Psyche Ratios  — eleven 24″ X 18″ mixed media paintings on archival photographs and two 36″ X 24″ mixed media paintings on canvas. Each original is accompanied by ten 40″ X 30″ signed, limited edition prints. For more information, please contact the artist.

 

Find more film and art by Metrov on his website here.

 

 

Submissions Now Open: 2015 competition for Photographers and Digital Artists

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2015 competition for Photographers & Digital Artists   YOUR BEST

Ed Wedman, Co-founder of Exhibitions Without Walls, says “We get emails from photographers and digital artists asking us what types of images would be best to submit for a particular theme.  Our response is one of “Use your imagination and creativity.”  Well this competition has no restrictions and doesn’t require interpretation at all. It is all about submitting what you think is some of your best work, nothing more.  This gives us the opportunity to see all the possibilities and the different styles of photography and digital art.  Again, remember it is about entering some of YOUR BEST” work.”

Submission deadline: February 8, 2015

Online Exhibition opens February 17, 2015

Entry Fee: $30 for the first 5 images; $4 for each additional image up to a total of 10 images.

Best In Competition – $500 cash award plus additional prizes

2nd Place – $150 cash Award plus additional prizes

3rd Place –  $100 cash award plus additional prizes

Sponsors for additional prizes include Alien Skin Software (Exposure 7), Art & Beyond Publications and Artist Marketing Resources.  For more information, go to “YOUR BEST”

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Artist Run Gallery in London Always On the Lookout for new and wonderful art

The artist-run A-side B-side Gallery  was founded in late 2011 by Tinsel Edwards and Catherine Magnani.  The gallery, project space, and studios are located on the Village Green within the Hackney Downs Studios creative community in east London, UK. A-side B-side Gallery is dedicated to being an all-inclusive exhibition space– promoting artists from all backgrounds and stages of their careers and inviting a diverse audience to visit their gallery to view the work.

The A-side B-Side Gallery online shop sells limited edition prints and originals by artists who have featured in their shows at their London gallery, who have worked from their studio, as well as works by their favourite artists. They are always on the look out for new and wonderful art and welcome submissions.

If you are an artist looking for more opportunities to sell your art prints, Artist Marketing Resources continually researches and adds new information to our extensive e-list of Art Print Sales Resources for artists –get it here and here

And to our 1,100+ Places to Sell Your Art E-list –available here and here.

Find more resources for artists in the Artist Marketing Resources web store #1 here and web store #2 here with many items on sale at reduced prices for the new year!

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Fine Art Gallery Represents the Paintings of Emerging Artists at Affordable Prices

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The Gregg Irby Fine Art gallery represents emerging artists at affordable prices in the niche market they’ve built. Gallery curators scour the country for new talents to bring their clients one-of-a-kind paintings by artists who have yet to be widely discovered. They strive to have a variety of painting styles in their gallery.

Both aspiring and established art collectors in Atlanta, Georgia can see the available artworks in person in the Gregg Irby gallery.  Plus, their connection to the up-and-coming art community allows Gregg Irby curators to source stunning paintings from artists for collectors shopping in their online gallery shop.

If you are an artist, take a look at the art on the gallery site. If your paintings complement what you see on the site and you think that you work in a good fit and in line with their price points–you can email 5-7 images to the gallery. Read the full submission guidelines on the gallery site.

Artist Marketing Resources continually adds more and more galleries to our e-list of 5,000 international art galleries. We’ve been working on the e-list over the past several years. Gain access to the international art gallery e-list here.

Randall Marmet’ Space Painting “The Outpost” in Images and Video

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Artist Randall Marmet’ lists among his painting inspirations, the NASA space program and a tour he took as a child of Cape Canaveral (aka Kennedy Space Center) to view the 363 feet tall Saturn 5 rockets. As well as celestial inspirations, such as his first viewing of the Southern Cross in Key West Florida from a boat on night waters. And again, seeing the Southern Cross constellation years later, on a trip to Tahiti in the South Pacific– where it is much more clearly visible in the night sky from the secluded atolls of Polynesia.

 

Russell Marmet’ wrote of his painting titled The Outpost

“While I was painting this, I imagined a colony of humans on another planet far from this place that sends someone here to what they refer to as ‘The Outpost’, a vantage point on the perimeter of the colony’s space domain. There is always an abundance of volunteers that want to visit The Outpost because of the view of the moon and nebulae where new space creations emerge. The beauty and serenity of The Outpost is spellbinding. Let your mind wander to visit this special place and restate tranquility in your mind that you didn’t know could be attained.”

 

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Specifics:
The painting consists of three canvases with a total dimension of 24 x 60 inches ( 1 canvas 24 x 36 x  1 3/8 inches deep, and 2  canvases 12  x 24 x 1 3/8 inches deep), all three hand-stretched gallery quality canvas.  This is an original acrylic fine art painting, hand-painted and clear coated with archival fine art varnish for protection against dust and abrasion.  The painting extends around the edges providing a very elegant look with no need for framing. Ready to hang and enjoy!  Created in 2014. To acquire this painting click here.
Suggestion:
Note: This painting is best viewed with lighting because of the dark field background.  Track lighting is the most flexible way to light art. Daylight bulbs are best.  Also, the clear coated matte finish archival fine art varnish enhances the depth of color and reduces glare.

 

Painting detail views:
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Find more paintings on the artist’s website Marmet Fine Art.
Keep up with the artist by following him on Twitter here.

New Art Podcast Launched In London Interviewing Artists and More

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One of the first art magazines to make it onto our extensive resource e-list, Flaneur has grown (as has our e-list). London-based Flaneur is now doing artist interviews as part of their new arts and culture podcast series.

If you would like to be interviewed for the show please send details of your current project to editor@flaneur.me.uk

Deadline: Sun Jan 11th, 2015 

More details here. Get the Flaneur free arts review podcast in iTunes–click image:

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Also on our e-list of Art Magazines and art blogs, is the ArtLyst  art information website in London which features up to date contemporary art news, reviews, exhibition and art fair news. Artlyst focuses on new and emerging art. Their new web2.0 Social Networking platform allows you to post your professional profile and exhibit your artwork in your own unique gallery. All galleries are curated, vetted and FREE. Submit Your Art To ArtLyst – Get Featured – Be Discovered. Send a link to your website along with a Biography /CV. Please Submit to submissions@artlyst.com

Find hundreds more art magazine opportunities on our e-list //
Buy this on Selz

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The Feminist Art Project Presents a Day of Panels at the Museum of Arts and Design

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THE FEMINIST ART PROJECT PRESENTS A DAY OF PANELS AT THE MUSEUM OF ARTS AND DESIGNSATURDAY, FEBRUARY 14, 2015   FREE AND OPEN TO THE PUBLIC.  No registration needed.
 The Feminist Art Project (TFAP), now in its ninth year of successfully shining a spotlight on feminist art and its impact on art and culture worldwide, announces the schedule for a special symposium at the Museum of Arts and Design (MAD) in New York City. With an impressive list of participants, The Feminist Art Project will present a diverse set of panels that will be of interest to anyone curious about contemporary art and ideas. The 2015 Day of Panels will take place on Saturday, February 14 from 9am – 5pm at MAD. The panels, entitled Collective Creativity: Collaboration and Collectives in Feminist Art Practice, are organized by Damali Abrams, Artist; Jenn Dierdorf, Artist, Co-Director of the Fellowship Program and Development, A.I.R. Gallery; Kathleen Wentrack, Art historian, City University of NY,Queensborough. The symposium will focus on Collaborative working methodologies and how women’s collectives have been crucial to feminist art practice since the 1970s. As feminist practice continues to evolve, collaboration and collectivity continue to provide an alternative to the patriarchal ideal of individualism. This day of panels will explore both a communal approach to working in a variety of media and group support structures for women artists both historical and present day. Panels and Participants:*Collaboration and Collectivity: The Past or Future of Feminist Exhibition Making – Chair:KalliopiMinoudaki (Independent Art Historian) Panelists: DorisCaçoilo (_gaia), LaurenDenitzio (Artist; For the Birds), KateWadkins (Writer/Curator; For the Birds); Dr. Maura Reilly (University of Sidney),Ridykeulous (curatorial collective).Roundtable: A Community of M/E/A/N/I/N/G – Co-Chairs: Susan Bee (Pratt Institute; University of Pennsylvania) and Mira Schor (Parsons, The New School) Panelists: Joyce Kozloff (Independent Artist) Sheila Pepe (Pratt Institute), Kara Rooney (Independent Artist, The Brooklyn Rail), Alexandria Smith (Independent Artist).*Gatecrashing: Feminist Collaboration and Institutional Intervention – Co-chairs: KatGriefen (Rutgers University), and Meredith Brown (Metropolitan Museum of Art) Panelists: A.K. Burns (Artist and Educator), Jorge DanielVeneciano, (ElMuseo del Barrio), and the collectiveHOWDOYOUSAYYAMINAFRICAN?.*When the Personal Becomes Political: Creative Activism/Collective Intentions – Chair: Nina Felshin (Independent Curator/Writer/Activist) Panelists/Collectives: Anjana Malhotra (SUNY Buffalo; Visible Collective); Mona Eldahry, (Arab Women Active in the Arts and Media); and Dread Scott (Postcode Criminals).

*Power, Collaboration, and Lies  Chair: Katherine Behar (Baruch College) Panelists: Stephanie Rothenberg (University of Buffalo); Jeff Crouse (Odd Division/NEW INC, New Museum); Larisa Mann (New York University); Sydette Harry (Body Ecology Performance Ensemble); Liz Flyntz (Smack Mellon/Extracurricular).

*Encouragements with Dave – Performance by J.R. Uretsky (Artist) and Emily Dix Thomas (Cellist)

*CollECtive NoW: Artists on the Collective Present – Roundtable – Chair: Dalida María Benfield (Vermont College of Fine Arts; Harvard University) Artist/Panelists: Salome Chasnoff (School of the Art Institute of Chicago, Personal Hermitage Productions, and Beyondmedia Education); Celia Herrera-Rodriguez (Artist/Teacher); Davida Ingram (Seattle People of Color Salon); Jessica Resmond (MEI Collectiv); Beatriz Santiago-Muñoz (Beta-Local); Robert Sember (Ultra-red, and The New School’s Eugene Lang College); Sasha Sumner (Hungry March Band, Pratt Institute, and the Pedagogy Group).

For more information and to view the full descriptions and schedule, and location details visit

The Feminist Art Project.
 To obtain jpeg images and to schedule interviews, please contact:
The Feminist Art Project: 848-932-3726  ctell@rci.rutgers.edu

The Feminist Art Project promotes diverse feminist art events and education through its website and online calendar.  Website visitors can find exhibitions, lectures, artist talks, films, educational resources, and other art related activities in their area or to include in travel plans.  The website offers hundreds of links to websites of interest. The Feminist Art Project is a program at  Rutgers University, and is a unit of the Office of Institutional Diversity and Inclusion at Rutgers, The State University of New Jersey. For more information about TFAP, please visitfeministartproject.rutgers.edu.

The Feminist Art Project
is proud to include on its Honorary Committee:
Norma Broude, American UniversityE. John Bullard, New Orleans Museum of Art, EmeritusConnie Butler, Hammer Museum of ArtMary D. Garrard, American UniversityChrissie Iles, Whitney Museum of American ArtArnold Lehman, Brooklyn MuseumLucy R. Lippard, Writer and activistMargo Machida, University of ConnecticutCindy Nemser, Author, critic, journalist

Linda Nochlin, NYU Institute of Fine Arts

Faith Ringgold, Artist

Lowery Stokes Sims, Museum of Art & Design

Gloria Steinem, Co-founder Ms. Magazine

The Feminist Art Project
National Coordinating Committee members are:

Judith K Brodsky, Co-Founding Director, Institute for Women & Art,Rutgers UniversityJudy Chicago, Artistic Director, Through the FlowerKat Greifen, Director, A.I.R. GalleryLeslie King-Hammond, Maryland Institute College of ArtCatherine Morris, Curator, Elizabeth A.Sackler Center for Feminist ArtDena Muller, Executive Director,ArtTableFerris Olin, Co-Founding Director, Institute for Women & Art,
Rutgers University

Susan Fisher Sterling, Director, The National Museum of Women in the Arts

Anne Swartz, Professor, Savannah College of Art and Design

InspireFirst open platform where artists can publish feature articles on their own creative works

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InspireFirst (the site) Inspirefirst.com  is a free open platform where everyone can publish articles featuring his or her own creative works including, but not limited to, photographs, illustrations, 3D works, digital art pieces, interior designs, hand-made items, etc.

If you’d like to find out more, then read their Publishing Rules here.

  • Your article should contain textual material and images (there is no limitation as to the length of the text or to the amount of images published), but InspireFirst requires at least 4 images per post. If you add a post with less than 4 images it will be erased by their admin.

Buy our e-list of art magazines, art blog, artist directories and art publishing resources: Buy this on Selz

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Big Ink Open Call Collaborative Large Woodcut Project and More

'Portrait of Hagiwara Sakutarô', woodblock print by Onchi Kôshirô, 1943, 1st edition, National Museum of Modern Art, Tokyo

‘Portrait of Hagiwara Sakutarô’, woodblock print by Onchi Kôshirô, 1943, 1st edition, National Museum of Modern Art, Tokyo

The Big Ink website and blog has a current call to artists to take part in a collaborative large woodcut project. Monumental prints inspire artists and the public alike to think big, set long-term goals, and have the perseverance to see complex projects to fruition.

Each year artists from all backgrounds including sculpture, photography, painting, and print participate. Artists are invited to submit a proposal to create a woodcut at least 24 x 36 inches in dimension via an open call for entry.  If accepted, artists are given two months to carve their image into a piece of plywood.  At the end of the two months, all the artists meet for a printing session at a local print studio and help one another print their woodcuts onto paper. Typically between 30 to 36 hand pulled prints are produced during two days of printing sessions. Each artist donates one print to the BIG INK portfolio.

Ernst Ludwig Kirchner , Portrait of Otto Müller , 1915

Ernst Ludwig Kirchner , Portrait of Otto Müller , 1915

The Printeresting site welcomes submissions for Printeresting content: artwork, news, exhibitions, book releases, reviews, or random moments of print. They also accept submissions from guest contributors. If you’d like submit an article for possible inclusion on Printeresting, please register on the site and a password will be emailed to you. Then log in, draft a post, and submit it to Printeresting editorial review

Printeresting, as a rule, does not publish announcements for kick starters or other fundraisers, calls for entry, holiday sales, and other opportunities.  But feel free to use their classifieds page to share these types of items.

Art Print Resources 

Art magazines and art blogs e-list

Artist Marketing Resources web store

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Arts & Crafts Block Prints 2015 Calendar

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Our New Visual Artist Promotions Scholarship Fund Campaign

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Artist Promotions Scholarship Fund–let’s give artists what they need–time, funding, visibility–

Normally, we spring fully developed programs on our readers. But with this one, we are letting you in on the project and getting feedback as the project develops.

There is no shortage of artists around the world who would love to receive funding for exhibitions. There are many exhibition spaces who want to work with us, as well, so that we can assist artists to successfully show in their programs. The need is clear and present and made apparent to us daily.

There is much to be done. Guidelines and procedures need to be discusses, drafted and put into place within our project plan.

The first action phase of this new scholarship program is fundraising. We need donors, supporters and backers to create the scholarship fund. To  support our scholarship campaign click here.

Help us get the ball rolling!

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We’re using the Megafounder platform that takes 0% of funds raised and allows for an ongoing campaign with no all-or-nothing goal amount to set and reach, and no ending deadline date. We expect such lack of restrictions to allow our project to evolve, change and mature. Your web and mobile donations to our scholarship fund are processed via Stripe, which accepts payments from users globally in 139 currencies.

Artists around the world need support. Our new scholarship has no geographic restrictions. We understand, that in the Bahamas, where one Bahamian dollar equals one US dollar, there may be less need. But in Argentina, where it takes $8.52 Argentine Pesos to equal one US dollar– ( The currency symbol for the Argentine Peso is the dollar sign the same as it is for the US dollar)–the un-equal currency exchange rate my cause hardships. If an artist in Argentina wishes to participate in an online US-based exhibition opportunity that requires a submission fee of say $35.00 US dollars, the artist will have to pay $298.20 Pesos to participate.  In the Czech republic it takes $22.34 CZK or Kruna to equal one US dollar. So that $35.00 fee comes to $781.90 CZK. Both relatively large amounts of money in those countries. Perhaps you’ve never consider this before, but now you get the idea of how even paying a relatively small amount in US dollars can be a huge limiting factor to artists outside the US wishing to gain more international visibility.

The goal of our scholarship fund is to remove limiting fee obstacles for artists. With this new scholarship fund we will use monies raised to pay the exhibition fee for a select number of international artists, as well assist artists with promotional and other expenses.

Artist Marketing Resources will be administrating this new scholarship fund for visual artists, working in conjunction with ArtWorld and Exhibitions Without Walls.  We will offer a portion of our scholarship fund to cover the submission fees for a limited number of photographers and digital artists wishing to submit their art for online exhibitions with Exhibitions Without Walls. The scholarship fund also seeks to assist artists working in all media to exhibit in a physical gallery space in Amsterdam, New York City, and other locations via the ArtWorld exhibition projects. There are no fees to exhibit with the ArtWorld exhibition program.

We understand that some artists may be unable to participate due to the expenses to ship their artwork to gallery spaces and to travel to attend the exhibition to meet with gallerists and collectors. The goal of the scholarship fund is to provide needed assistance to artists.

As we said, the first phase of this new scholarship program is to raise funds. Help support artists here.

Once a balance of funds is available we will begin administering payments for artists as these funds allow. Follow this blog for updates and calls to artists for future funding opportunities.

Artist Promotions Scholarship Fund.

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2 images of ball rollers via freedigitalphotos.net

Two Artist Resources that Defy Categorization: Works.io and Art360 Gallery

From first view, the Art365 Gallery website has the look of an online art magazine, IMO. Although they refer to themselves as both an online art gallery and an art blog. You’ll find Featured Artists, Galleries, Glass Artists, and Art News.

Visual artists and glass artists are invited to submit for a permanent spot on this site.

– Send  a text in 300-500 characters about you, your artworks and perhaps a few words about your art technique.

– A link to your website/Facebook page.

– 6-8 quality images of your art.

They will rewrite a unique text about you and your art, show the best of your artworks and link to your website and Facebook fan page from their art blog (it’s a 100% free service). You’ll find the full details on their website.

Works.io is a sophisticated artist driven platform with a professional portfolio and CV tool for emerging fine artists to create online visibility.

Works.io is something like an artist directory, yet, when artists sign up for free they have a dashboard allowing them to add images of their art, their exhibition news, and more. Works.io also offers a monthly selection of emerging artists with more extensive text about each artist showcased. Works.io selects sophisticated art in low-key tones for their feature.

These relatively new sites have been added to our 57 page e-list of art magazines, blogs, and artist directories.

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Win-Win Program Offers Emerging Artists Ten-Day Exhibition in Amsterdam Gallery

Keith McFarlane is based in Amsterdam and is the owner and Developer of the ArtWorld app–an app for art collectors to connect with artist (available on iTunes here). Keith asked me to share the news of the Win-Win Program at the Window Gallery in Amsterdam.
Here is what Keith wrote:
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Artworld both supports and works closely with the Window Gallery in Amsterdam. The gallery, owned by Ella Arps of Arps & Co, is well-known for its innovative Win-Win programme. The programme offers emerging artists from across the world a ten-day exhibition here in Amsterdam. The idea behind the programme is to win exposure for the artists and to bring a new and fresh perspective to the arts’ community in Amsterdam. There is also a charitable element: artists must make a donation to an international arts’ educational charity TeachforLife. And they may take part in the Netherland’s Overdekunst (About Art) programme, whereby Dutch schools are given a budget to buy original artworks by contemporary fine-artists. Win-Win artists will feature in the Overdekunst catalogue for one year (commissions apply to any school purchase).

Many recent Win-Win artists now participate in Artworld, among them Xavier Yarto (Mexico City, Mexico), Esra Kizir Gökçen (Istanbul, Turkey), Maša Gala (Ljubljana, Slovenia), and Marta Brysha (Tasmania, Australia). It has been my pleasure to meet all of these artists and to see and to study their work!

For artists seeking a first international exposure, an opportunity to travel and spend a few days in The Netherlands, this is a very personable, or as the Dutch would say gezellig, and intimate experience. The costs for the artist are shipping, own travel and accommodation. Arps & Co provide the gallery, local publicity, insurance, framing, hanging, and advice about the Dutch market. It truly is a Win-Win!

I think this is an excellent opportunity for international exchange, one, moreover that has a personality all of its own: quite unlike the aggression and competitiveness of a large exhibition. It brings a rounded sense of the personality of Amsterdam and of the individuals that take part.

I would like very much to see this idea extended to other small galleries with an education and charitable interest internationally. And I wonder whether funding could be found to bring talented and emerging artists from countries and circumstances where international travel and shipping would otherwise be beyond their reach? This might be done independently, for example in South Africa, India or East Asia, but it might also bring such new talents to Amsterdam. If you’re interested, then you might contact Arps & Co directly. Alternatively you might contact the Keith McFarlane, editor@negativeentropy.net. I will do what I can to connect people who are interested.

And if you’re an artist wishing to take part in the Win-Win programme and to visit Amsterdam, then contact Ella Arps at info@arpsgallery.com.

 

Artist E-postcards: Elinore Schnurr

We’ve sent out artist e-postcards to top art galleries currently reviewing work. The e-postcards are e-mailed individually along with the link to the artist’s website. There are two e-postcard marketing option for artists. Click here for details on E-Postcard Marketing Plan A.  Click here for E-Postcard Marketing Plan B.

 

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Salon-Style Wall-Hang VS Salon-Style Contemporary Art Gallery

Apartment Therapy salon style room

Apartment Therapy salon style room

According to an article on the Urban Domesticity blog, “hanging artwork salon-style entails arranging a whole bunch of pictures and paintings together in a collage-like formation on the wall.”

This “old-fashioned” method of hanging art dates back to The Paris Salon (French: Salon de Paris), the official art exhibition of the Académie des Beaux-Arts in Paris, France. Between 1748 and 1890 The Paris Salon was the greatest annual or biannual art event in the Western world according to Wikipedia.

A salon-style gallery hang at the Milwaukee Art Museum

A salon-style gallery hang at the Milwaukee Art Museum

While this salon-style of hanging art has made a comeback with Interior Designers, which is good news for artists who will be able to offer even more artworks to residential clients to fill salon-hung walls, the term “salon style” may refer to location and relaxed atmosphere when it comes to contemporary art galleries.

Susan Eley Fine Art was founded as a salon-style gallery in an Upper West Side Townhouse in Manhattan, New York, to offer an intimate, personal viewing experience not typically found in white box galleries. Eley opened her Gallery to tap into an untapped audience and to show them an alternative way to enjoy art. She focuses on contemporary art by emerging and mid-career artists working in both figurative and abstract styles in a variety of media and presents their work in solo and group exhibitions showcasing artists from the U.S., Asia, Latin America and Europe.

Artist Marketing Resources has been researching art galleries for many years, and offers artists a chance to share at that research by purchasing the International Art Gallery Directory here.

 

Artists Should Know About the Artist Marketing Resources Web Store

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While we’ve frequently mentioned our Art Gallery list and Art Magazine list in our blog posts of late, we haven’t yet mentioned our web store until now.  Visit the Artist Marketing Resources web store to browse and shop here. Right now there are ten items in our web store for visual artists. Plus we have plans for adding more artist resources to our store soon.

 

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We’re Sending Artist E-Postcards Out to Art Galleries

Artists, our latest promotional efforts with our new e-postcard marketing Plan A and Plan B have gotten underway this summer and with great interest! We’re sending E-postcards out to galleries in each of the participating artist’s home states, as well as to art galleries in major art centers such as New York City, London and other cities around the world. Some artists have had gallerist contact them right away after receiving our e-postcards!  We also share artist’s e-postcards on Twitter, Pinterest, Facebook and on our blog so that they appear in our newsfeed in the ArtWorld app.

Each time we send out a set of e-postcards, we include the clickable link to the artist’s website so that the recipient may view more of the artist’s work.

We’ll be sharing more of these, but for now, here is a sampling of some of our artist e-postcards–

AliceHarrison_epostcard1

 

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