Online Gallery Now Accepts Bitcoin Payments, a self-proclaimed “Artist Marketing Toolbox,” has begun accepting Bitcoin for subscriber Registration Fees.

To coin an old phrase “In today’s world you lead, follow or get out of the way” says site owner and founder of’s Dean Cameron.

“Our goal is to create options and tools for Artists and Art Galleries to successfully market their artwork,” says Cameron. Bitcoin is yet another tool in that toolbox. Artists are starting to really adopt Bitcoin as it gives them another way to sell their artwork.

More mainstream companies are beginning to accept Bitcoin as well, “so artists can use it to buy art supplies, personal items and now even their art marketing platform,” says Cameron.

Flootie has created a separate registration sign up-page for Bitcoin users that allows for an annual membership to be purchased in one of three levels available. These prices offer a discount from the standard credit card monthly option, due to the annual nature of a Bitcoin subscription. continues to add new features and options for our current as well as future subscribers. ” We are thrilled to bring the Bitcoin option to our platform,” say Cameron.


Artists: Do You Want to Accept Crypto Currency for Your Art?

Crypto currencies– Bitcoins and AppleBytes.

AppleBytes may be described as a grassroots New York City artist-founded movement in development. Using Applebytes may be the digital era’s equivalent of dropping coins into an artist’s tip jar. Although AppleBytes are starting in New York City, the nature of digital currencies is that they can be used in any city around the world! Bitcoin is a new digital currency. Both AppleBytes and Bitcoin have a digital wallet (a sort of “digital purse”).

Using either crypto currency–AppleBytes or Bitcoin– is as convenient as using a credit card but without incurring high fees.

This short video explains the concept of sidestepping banks and fees using crypto currency:

Do Your Want to Accept Bitcoin payments?

You can accept Bitcoin as a Etsy shop owner, Shopify, BigCommerce and many others–a long list of commerce platforms will appear in a drop down menu to select from– you can immediately receive Bitcoin payments over the Bitcoin network and attract a new and growing customer base of Bitcoin users. You can accept Bitcoin directly, completely free of cost. You just need to run a wallet software. You can find a list of available wallets at As soon as you have your Bitcoin wallet set up, you can send and receive Bitcoins.

One of the most secure wallet options for Bitcoins is

Here is a short video on

Are you thinking about accepting Bitcoin as a payment method for your art or online shop? The payment gateway BitPay offers you:

  • The ability to accept Bitcoin payments and receive EUR deposits to your bank account.
  • Pay-outs via BitPay are offered both in Bitcoin and Euros, as well as any combination of both (for example 25% Bitcoin, 75% Euro pay-out to your bank account).


Sign up for a Bitpay account here:

Sign up for a AppleBytes account here:

Using Crypto currency–AppleBytes:  The creators of AppleBytes ask you to imagine you’re at a live performance or show and want to give the artist something. You can use AppleBytes right from your mobile phone.  When you’re watching Youtube you can give artists some AppleBytes. On Facebook don’t just click “like” but give some AppleBytes and then post about it. Encourage artists with AppleBytes!

With AppleBytes it is easy to gift your favorite artists electronically, first as a token of appreciation, and eventually as AppleBytes becomes known in New York City they can be exchanged for food, drinks, all kinds of services from local merchants, as well as exchanged for Bitcoins and other crypto currencies.  AppleBytes can be given to any artist anywhere in the world.  (I have 500 AppleBytes in my wallet. I’m sending them to artists. Just tell me where. My email:

How Artists are Using Crypto Currency: Cointemporary is an early example of an online exhibition of international art for Bitcoin. Valentin Ruhry and Andy Boot are the two artists who run Cointemporary, posting their own work for sale, and occasionally the exhibition also displays artwork created by different artists. Cointemporary is their online platform showcasing a single artwork for seven days allowing buyers to purchase the work using Bitcoins.  At the end of each week a different artwork is displayed and available for purchase.

Get business help: Coinfinity will help you understand Bitcoin and integrate this technology into your business. Contact Applebytes via Facebook:

Call for Submissions: Group Show and Art + Copyright Special Issue of InterARTive

OPEN CALL FOR SUBMISSIONS to group exhibition – deadline: 31st May. Selection Panel: Ben Vickers, Alana Kushnir, Helen Kaplinsky, and Ami Clarke.
We are asking for submissions of works that emanate from broadly speaking: artistic practice, as individuals or collectives, as well as other trans-disciplinary working arrangements, for a group exhibition to be held at Banner Repeater in June – August that consider the following:“When the structure that something takes influences the shape the content takes, and also the ways that people might approach that content and use it, and likewise, the content begins to affect the structure as well” (Sean Dockray of interviewed by Cornelia Sollfrank in Giving What You Don’t Have, Expanded Appropriation:, we can begin to understand the binding between humans and technology as a co-evolution.Of particular interest are new relations that come of issues regarding copyright, patents, trademarks, and the consequences of trade secrets, brought to the fore by digital media.“Intellectual property rights, at least for patents and copyrights, may be considered rights in ideal objects. Patents can be obtained only for “practical” applications of ideas, but not for more abstract or theoretical ideas.  Philosophical, mathematical or scientific truths cannot be protected under current law on the grounds that commerce and social intercourse would grind to a halt were every new phrase, philosophical truth, and the like, considered the exclusive property of its creator. But the distinction between creation and discovery is not clear-cut or rigorous.  Nor is it clear why such a distinction, even if clear, is ethically relevant in defining property rights. No one creates matter; they just manipulate and grapple with it according to physical laws. In this sense, no one really creates anything. They merely rearrange matter into new arrangements and patterns. An engineer who invents a new mousetrap has rearranged existing parts to provide a function not previously performed. Others who learn of this new arrangement can now also make an improved mousetrap. Yet the mousetrap merely follows laws of nature. The inventor did not invent the matter out of which the mousetrap is made, nor the facts and laws exploited to make it work.” (N. Stephan Kinsella – Against Intellectual Property (2008))

We are interested in works that consider how content might be shaped by structural form and vice versa, that appropriate images/objects, and structures beyond the object, that challenge or critique all, or any of the above ideas, that might address:

  • the means of production and systems of distribution,
  • legal structures with renew issues of copyright,
  • social media and the production of social relations,
  • institutional structures and educational systems,
  • structures of the gallery, art market, and beyond….
It is worth noting that all technologies, on, and offline, are of interest.We will be screening the new film from director Ben Lewis: Google and the World Brain:  “The most ambitious project ever conceived on the Internet: Google’s master plan to scan every book in the world and the people trying to stop them. Google says they are building a library for mankind, but some say they also have other intentions”, during the exhibition period.Other recent points of interest may be found here:

Art + Copyright

UK.Gov passes Instagram Act: All your pics belong to everyone now
Everyone = Silicon Valley ad platforms tech companies

Furball – On Wikileaks, Bitcoin, Copyleft – Three Critiques of Hacktivism
By The Wine and Cheese Appreciation Society of Greater London, 8 February 2013

Giving What You Don’t Have.
On the basis of filmed interviews Cornelia Sollfrank explores the frontiers of peer-to-peer production and distribution. Artistic research project commissioned by the Post-Media Lab, Leuphana University. Project launch with initial four interviews: Kenneth Goldsmith, Marcell Mars, Sean Dockray, Dmitry Kleiner. All interviews can be viewed in full length through the project website:


The open submission fee is £10 (to cover administration costs): please pay here.

Submission material criteria: 2-3 low res images of 2/3D works, vimeo link for all videos, live links to online works, with maximum 200 word description, and one page CV please.

Please send your submission to with OPEN SUBMISSION in the header by the 31st May.

Successful submissions will be notified by 5th June, and must be able to deliver work to Banner Repeater (where appropriate) on 10th – 12th June, ready for opening on the14th June.

All BANNER REPEATER Associate Members enjoy free submission to the annual open submission exhibition as well as other benefits:

AMPP – Associate Membership Peer Programme.

·       Peer Programme meetings; an opportunity to discuss new work with other members.
·       Free submission to the Banner Repeater annual open submission exhibition.
·       Banner Repeater membership card to AMPP.
·       10% off publishing in the bookshop.
·       10% off prints in the growing print portfolio.

To become a member of AMPP for £25 – please join here.

Selecting panel bios:

Ben Vickers is a writer, network analyst, curator, technologist and luddite. He makes a living and finds a vocation in understanding how systems of distribution, both human and other, come to affect our personal perception of reality. Vickers is currently Curator of Digital at the Serpentine, co-runs LIMAZULU Project Space, is an active member of EdgeRyders, leads Brighton University’s Professional ‘Reality’ Development Program and facilitates the development of unMonastery, a new kind of social space designed to serve the local communities of towns or small cities throughout Europe in solving key social and infrastructural problems.

Alana Kushnir is a freelance curator and art lawyer based in London. She is completing the MFA Curating program at Goldsmiths and prior to this, was working in Melbourne, Australia at the law firm King & Wood Mallesons, where she specialised in competition and intellectual property law. Her curatorial practice and research explores the intersections of intellectual property law, curating and art practices influenced by internet culture. Recent curated exhibitions include TV Dinners at BUS Projects, Melbourne (2012), Acoustic Mirrors (co-curator) at the Zabludowicz Collection, London (2012), Paraproduction at Boetzelaer|Nispen Gallery, Amsterdam (2012) and Fourth Plinth: Contemporary Monument (co-curator) at the Institute of Contemporary Arts, London (2012-13). She has presented her research in a wide range of contemporary art publications and academic journals, including the Journal of Curatorial Studies, Leonardo Almanac and the self-published exhibition-zine, Paraproduction.

Helen Kaplinsky is a London based independent curator, tracing the confluence of contemporary art and the history of design. She has worked with the Arts Council Collection since 2011, having received a fellowship with the collection whilst studying Curating MFA at Goldsmiths University from 2009-11. Upcoming projects include a residency with Flux Factory (NYC), Muscle Memory and Auto Couture (both London). She lectures in Art and Design at City Literacy Institute. Her current research concerns consumer technologies, the Romantic imagination and post-fordism.

Ami Clarke both facilitates the running of Banner Repeater: reading room and project space, on Platform 1, Hackney Downs train station, opening up an experimental space for others, whilst dually sharing the goal in her practice to explore ideas that come of publishing, distribution, and dissemination: how the performance of language increasingly impacts upon daily life.  BR commissions new art-writing for the publication UN-PUBLISH: a series of critical works published on paper, determined by ideas of shifting time and labour relations, that bear witness to epigenetic affects that may come of these new conditions.  She is a co-founder of the Diagram Research, Use and Generation Group (DRUGG).  Upcoming projects include Data-Pool 3, and Low Animal Spirits.