CHROMA: Artist CALL FOR SUBMISSIONS for Summer Exhibition

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The people at The Crypt Gallery, London sent us this Call to Artists and asked us to share it with our readers.

CALL FOR SUBMISSIONS for CHROMA: Summer Exhibition

CHROMA is a curation of visual thought and exists both as space and document. It acts as a platform for elaboration and articulation, exploring the narrative potential of aesthetic and visual arrangement. The published and exhibited results are amalgamations of open submissions.

CHROMA produces experiments in chromatic language

monoCHROMA: Black & White Issue

CHROMA opens the call for the submission of art work in any medium in response to the words black & white.

Exhibition

A group show will be held in July presenting a selection of submissions curated by CHROMA. A collection of works made in isolation from one another with a colour being the only given commonality, the show will explore the conversations the works can and are forced to have through their curation and what elements of association are generated to form a narrative or dialogue. The show will experiment with the possibilities of language as a response to something inherently visual, and the relationship between this collective chromatic discourse and each individual work.

Publication

Submissions will also be considered for the creation of CHROMA’s Black & White Issue publication. This will present the same conceptual exploration as the exhibition but will take a concrete ob-ject-form, culminating individual works into a single art object.

Submission deadline: Monday 20th June at 12pm

Email a maximum of three photographs of each piece submitted, or a detailed (1 side of A4) proposal if the work is not yet made. Please include any titles, dimensions and materials.

If selected, works must be dropped off at the gallery location (The Crypt Gallery, St Pancras) at 10am on Tuesday 26th July. Instructions should be provided and the work will be hung by the team. Arrangements can be made for artists to help hang should they have specific technical requirements. Please note artists submitting video work will need to provide equipment such as projectors and/or tvs/extension cables.

Artists should also be available to collect work from the space Monday 1st August at 11am.

CHROMA will never charge submission fees however to cover the cost of the space artists selected will be required to pay an exhibiting fee from the following sliding scale:

SMALL: An exhibiting space of approximately 50cm x 50cm – £20

MEDIUM: Approximately between 50cm x 50cm – 150cm x 150cm – £35

LARGE: Approximately over 150cm x 150cm – £50

If you wish to submit multiple pieces of work, please clearly state this in your submission. If we se-lect more than one piece of work, we will take the total collective size into account for pricing (i.e. a submission of three small pieces would be costed at the price of a ‘Large’ work – £50, rather than 3 x ‘Small’ – £60). If you are submitting multiple works but only wish to exhibit one piece, please state this clearly and we will select a singular piece, charging you the price according to its individual size.

Exhibition Information:

Private View: Thursday 28th July 6-9pm

Friday 29th – Sunday 31st July 12-7pm

The Crypt Gallery, Euston Road, London, NW1 2BA

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Random Orange International Artist Open Call for Submissions

Image by: Ice Tuxedo ‘random orange’ Open Call

Image by: Ice Tuxedo ‘random orange’ Open Call

Organised by Ice Tuxedo

Deadline for applications: Friday 8th July, 2016, Time: 6 pm

Random Orange is an International Open Call exhibition organised by Ice Tuxedo.  Artists are asked to apply with work that respond to an extract taken from ‘The Science in Science Fiction’ ed. Peter Nicholls, 1982, p. 91.

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EXTRACT:

‘There are various intriguing science fiction notions concerning time that can only call upon very distant support from science.  A notable example is A.E. van Vogt’s novel The Weapon Shops of Isher, in which a man throws alternately, as if on a seesaw, increasingly distant past and futures, accumulates so much energy (for surely time travel requires energy) that when he finally explodes in the distant past, it is the intensity of this release of energy that catalyzes the creation of the Sun and the planets.  This is one of the ultimate time paradoxes.  More soberly, Ian Watson’s story “The Very Slow Time Machine’ tells of a future time traveller in a machine which, before it is projected even further into the future, must (like a catapult) first be very slowly pulled back into the past.  To battled present-day observers he seems to be experiencing normal duration, but in reverse.  There is a remote sense in which physics supports the relationship between time and energy that these stories rather vaguely suggest.  The initial energy of the Big Bang that gave birth to our universe is thought to be directly connected to the nature of time in the universe. We do not know exactly how much energy this was, but we do know that the greater the initial energy, the longer time itself will last before the universe reaches its hear-death or collapses back into a monobloc.’

Key dates:
Deadline for applications: Time: 18.00 pm, Friday 8th July, 2016
Selected artists announced on Schwartz Gallery website:
Private view: Thursday 28th July, 6 – 8.30 p.m
Exhibition dates: 28/07/16 – 27/08/2016
Public opening hours: Saturdays only: 11am – 5pm
Thursday & Friday: Viewing by appointment only between 11am and 5pm

Fees:
Application and processing fee: £20 (via paypal: see website) per application of up to three artworks per artist.  The fee is non-refundable. Please include your PayPal Payment Reference Number when completing the ‘random orange’ application form.

Guidelines: Applications guidelines: www.schwartzgallery.co.uk

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Schwartz Gallery, 92 White Post Lane, London, E9 5GU
Travel: Hackney Wick Overground

Platform: Open Call Art Magazine for Artists

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Platform or Platvorm is a print magazine which has its headquarters in the Netherlands. Platform describes itself as “an open call art magazine where artists are in control.” Artists create their own magazine spreads about their own work, resulting (hopefully) in diverse and original content.  Participation is free!

Find out more here.

  • Platform published their second issue December 2015, so now is the time to contact them to get your work into their forthcoming spring issue.

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Find our huge E-list of Art Magazines, Art Blogs, Artist Directories for $29.95 on  here.

Art Magazine Open Call to #Artists to #Submit for April Issue

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FreshPaintMagazine has an open call for their April international issue. There is a fee to submit to this open call.  Alternatively, Artists may submit to their blog here by completing the site form. There is no fee to submit for a blog feature.

Emerging and established artists are welcome to apply with works in any medium including painting, sculpture, photography and mixed media.

Artists from all countries are welcome to submit.

The April 2016 issue will be distributed in London, New York and Philadelphia in galleries and art centers. Published artists will be promoted through the FreshPaintMagazine international digital and print distribution, as well as by extensive exposure through social media.

Reviewing their Twitter feed images here will give you a quick idea of the art they like and have featured on their blog. If you do not wish to submit to the open call, Artists may submit to the blog here.

 

Most of the art magazines on our e-list do not require fees to submit. Since this magazine also has the blog feature we have added it to our e-list of Art Magazines, art blogs, art publication resources available here.

The Multiple eXposure Project Call for Artists: Outside the White Cube

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Dear Marie,

I hope you can publish this call for artists to our curatorial project, Outside the White Cube, in your website. Thank you.

Regards,

Sherwin Mapanoo (curator)

The Multiple eXposure Project

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Call for Artists: Outside the White Cube

The Multiple eXposure Project will be curating “Outside the White Cube”, an alternative, traveling, curatorial project which aims to feature image-based works across different disciplines and media by emerging artists from the Philippines and elsewhere. We are inviting local and international artists whose works discuss the notion of the “PUBLIC” and its complexities. Deadline of submission is on October 5, 2015.

Artists working in a variety of media and disciplines are invited to participate and submit their works. We are seeking image submissions such as photographic series, video arts, short films, video mapping, recorded public performances, digital manipulation, animation, digital arts, new media arts, and others. Needless to say, any medium that can be projected to the screen will be accepted.

Please email your submissions, together with description, artist statement, and bionote, to themultipleexposureproject@gmail.com.

For more information, website our website: http://www.themultipleexposureproject.co.nr or our Facebook page: https://www.facebook.com/themultipleexposureproject.

About the Theme (Public):


The “public” is a multi-layered concept defined differently depending on how the term is used and framed. It is a notion devoid of singularity and is, grammatically speaking, a terrain of contradictions. As a noun and an adjective, the public constitutes the people, masses or community, and suggests anything that is staged, accessed, or seen out in the “open.” The public can also be used as a verb to describe something one does, as in make public or publicize, suggesting the movement or shift from the inside (private) to the outside (public). Paradoxically, however, the same term also points to the limits of such openness and movement. Given that it simultaneously refers to something “involving and provided by the government”, the public is always at risk of becoming merely an apparatus of the sovereign state and its institutions, thus making the flow of its production, distribution, and consumption partial and counterproductive.

With these issues in mind, we are looking for submissions that address and interrogate key topics of interest, but are not limited to, the following:

–         What is public? What counts as public?
–         The public and the private  – their overlapping tensions and ambiguities (ex: private event, object, or space made public)
–         The public as a collective (subject, citizenship, nation, etc.)
–         Politics, institutions, and conflicts (of interests) in public sphere
–         Positioning the public in the city or urban context
–         The value of public-ness (openness, sharing, connection, participation, etc.)
–         The limits and potentials of the public
–         The public and the subaltern counterpublic
–         Public image and identity
–         Public performance, gaze, visual voyeurism, and spectacle
–         Public and biopolitics (power, discipline, panopticon, and surveillance)

Description:

As implied by the project’s title, “Outside the White Cube” seeks to re-frame the practice of curating and spectating images outside the exclusionary, institutional borders of the “white cube” or gallery space.

Public spaces are used as an exhibition site to stimulate a mode of spectator experience that revolves around displacement of the passersby (public) from their “habitus” by interrupting the flow of pedestrian traffic. We alter a familiar public space and transform it into an unusual, dialogic site for image projection and exhibition, taking advantage of its accessibility and site-specificity in order to redefine the ways the spectators look at and engage with images.  Adopting “guerilla urbanism” as a curatorial strategy, we make sense of the immediacy of the “public” and reflect upon its context, meanings, and intersections with representation, place, and discourse. In so doing, we intervene and reformat aspects of the urban landscapes and emphasize the “counter-spectacle” in art viewing and appreciation.

This project also underlines the inherent ephemerality of an open-to-the-public display in relation to time and space. As a “traveling” exhibition which heavily depends on projection technology and public space as its “frame” or “canvas”, this project celebrates the momentary nature of image-viewing, consumption, and mobility in the metropolis at a time of constant flux and transition.

Sites and Duration:


Selected works will be projected and displayed in public spaces in different parts of Metro Manila where there is a massive flow of human traffic. Possible sites defined by law as “public place” include: “any highway, boulevard, avenue, road, street, bridge or other thoroughfare, park, plaza, square, and/or any open space of public ownership where the people are allowed access.” Each exhibition will run anywhere from a few hours to a week. The first phase of the traveling exhibition will run from October to December 2015. An accompanying zine featuring the works of the artists will also be published.

About The Multiple eXposure Project:


The Multiple eXposure Project is a multimedia, multi/trans/inter-disciplinary artistic practice and research-based initiative that explores the many layers of image-making, participatory photography, visual ethnography, and performative encounter(s) between the image and the spectator; the subject and the viewer.

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Call for International Photography Submissions on the Theme of IDENTITY

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The WYNG Masters Award welcomes photography submissions from all over the world. An annual,  issues-based award headquartered in Hong Kong, this year’s theme is IDENTITY. Images must relate to the theme and be made in or relate to Hong Kong.

The deadline for submission is 15 September 2015 (23:59 Hong Kong time; GMT + 8:00).

From 15 June to 15 September 2015  the WYNG Masters Award invites both international and Hong Kong artists and image-makers to submit photographic-based work. The visual content must be related to Hong Kong and to the chosen theme IDENTITY. Finalists will be selected by a panel of international judges and their works will be exhibited in Hong Kong in Spring 2016. A full-colour catalogue will be published to coincide with the exhibition. The WYNG Masters Award will also host a series of talks, panels, and seminars during the exhibition period. The winner of WYNG Masters Award will receive a cash prize of HKD$250,000. Each of the six additional finalists will receive HKD$15,000.

The WYNG Masters Award international panel of judges is composed of industry leaders in photography, art, publishing, and non-profit. They include Zoher Abdoolcarim, Abby Chen, Louise Clements, Frank Kalero, Leung Po Shan, Mary Ann Camilleri, Theme Judge (to be confirmed).
For details on how to enter please visit Entry Rules.

About IDENTITY

“Always remember that you are absolutely unique. Just like everyone else“
– Margaret Mead

Certain aspects of one’s individual identity such as race, gender, ancestry, genetic makeup and so on, come naturally at birth.  One could, however, consciously choose other aspects such as nicknames, profession, religion, hairstyles, ways of life, gender expression et cetera, to make oneself more unique. Between choice and nature, there are aspects such as nationality, history, psyche and social roles, which influence our sense of identity. Identity could simply be personal disposition, or an unwilling imposition by the society at large.

If identification of self makes the person, collective identity allows for mutual recognition-security as well as solidarity.  Group attributes, though, could be real or virtual, lasting or ephemeral, like one’s profile on social media. Overemphasis of the collective, however, could result in alienation, prejudice, confrontation and even enmity.

In the age of globalization, a local majority could easily become a minority in the wider world.  As global citizens, we hope for and embrace the belief that elastic and flexible identities can bring diversity and progress, rather than confrontation.

If defining our collective identities in this city seems like an almost impossible pursuit, images could, perhaps, provide a platform to start.

“Most people are other people.  Their thoughts are someone else’s opinion, their lives a mimicry, their passions a quotation“
– Oscar Wilde

www.wyngmastersaward.hk

Call for Submissions: Photographic Still Life Bodies of Work

 

Touch.My.Prints seeks projects, finished or in-progress, of photographic still lifes.

Touch My Prints is interested in the special way the photographic process can flatten space.

In the process of a studio still life the artist can have complete control over lighting, objects, composition, etc. This control allows for a constructed environment to showcase a wide range of concepts.

Touch My Prints seeks these highly controlled still lifes to showcase in TouchMyPrints ISSUE04.

Bodies of work will be prioritized over a series of individual images.

SUBMISSION GUIDELINES

Submission Fee: Free

Please submit 3-5 works from a body of work (complete or in-progress) for ISSUE04. Please include a brief description of your body of work / artist statement. (250 words or less)

IMAGE SUBMISSIONS

Please submit files at 300 dpi, with the longest side being 8 inches (2400 pixels), 8-bit and as a JPEG.

File Name would be Doe_Jane_01.jpeg

In the email (TouchMyPrints @ gmail .com) please list the following information for each image.

Title, Year Produced
Medium (i.e. Screenshot / Digital Photograph / Digital Collage)
Your Website (Professional Site / Twitter / Tumblr / etc)
Brief description of your body of work. (250 words or less)

GENERAL GUIDELINES

Submit your own work.
Follow the guidelines.
Please email  if you have questions.

SUBMISSION DUE DATE: July 20, 2015

 

 

Great Outdoors: Artist Designs Win Product Line, Enter by June 15th

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Bridgeman Studio, Creative Review and Culture Label are sponsoring a competition called The Great Outdoors for artists to win:

Three artists will have their own product line created and sold at Wilderness Festival and on the CultureLabel website here

Grand Prize: a 500 GB Pound commission to design the Wilderness Festival map, distributed to all attendees at the festival in August.

The competition is open until 15th June 2015

• Maximum of 5 entries per artist.
• All images entered into the competition remains 100% copyright of the artist.
• All images can be used in marketing and advertising the competition from Bridgeman and third parties (Creative Review) .
• Entrants must give permission for their names and photographs to be used for publicity.
• The entry can be photography, illustration, digital art or fine art.
• All images must be 100% original copyright owned by the artist and not use any third party copyright material.
• Entries must be supplied as two files, one high-resolution .jpeg sized between 3MB and 5MB, and one low resolution version, sized between 250KB and 500KB
• By submitting an entry, each entrant agrees to these terms and conditions. Entry is open to all artists, of any age, in any country
Please fill out and send Studio Award Entry Form  and your images to: competition@bridgemanstudio.com

Read more about the Competition Terms & Conditions here

Artists looking for art licensing companies for their art and designs click here and here.

 

 

Online Gallery Call For Artist Portfolios

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— pivot art gallery is seeking artists who would like to have a portfolio of their work considered for presentation on the online gallery. Generally, a portfolio is up for a month beginning on the 15th of each month, after which a condensed version stays in the pivot art gallery archives.

— pivot art gallery is devoted to showcasing emerging aesthetics – that is, a sense of art viewed through various media, avenues of expression, and the intersection of these that reveals a unique contemporary arts perspective.

— edgy, conceptual, and otherwise challenging work encouraged !

— if interested, please email the following information:
link to site/portfolio | bio | artist statement | any other relevant info | your questions

to info [at] pivotartgallery.com

— to find out more about the gallery, visit the site and blog at www.pivotartgallery.com

— also interested in hearing from artists/writers who write about art and would like to publish on pivot art gallery

— there are no fees
http://www.pivotartgallery.com/

Deadline: Fri Jul 31st, 2015

 

Find more opportunities here and here.

If you want to review more sites, click here and here.

 

EN1 Prints UK | Call to Artists + Photographers

EN1Prints

EN1 is planning to launch their new art print sales site on June 1st!

They are Seeking Artists & Photographers who wish to sell their work in ‘Prints’. Artists can get in touch via email with Ceri:  ceri@en1prints.co.uk

Hi Marie,

Thanks so much for the offer to Post on your blog.  We really appreciate it!
We are seeking further Artists who wish to sell in ‘Prints’. Launching 1st June (only a few days left) but we will continuously seek further Artists as we expand. Lowest Commission Rates Available and fabulous Incentives for Artists. Promotions, Big Advertising Spend.
The Website – www.EN1Prints.co.uk will be ‘Live’ for Monday 1st June.
Please use this email address – ceri@en1prints.co.uk for any Artists who wish to contact us for further info.
Again, thank you so much and we will certainly return any favours for this!  Just ask!!!
Kind Regards
 
Ceri 
 
Visit us at www.en1prints.co.uk (Please note..our new website will be available for June 1st)
 
Follow us on Twitter @en1prints

Call For Artists: Solo Exhibits in Amsterdam, Madrid, Milan

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T.I.N.A. (This Is Not an Art Prize) is an International platform for artists to get in touch with a network of galleries and curators interested in evaluating new projects. T.I.N.A. is open to all artists, regardless of age, technique and nationality.

T.I.N.A. currently has an open call for artists to submit for 7 solo exhibitions in Amsterdam, 6 solo exhibitions in Madrid and 4 solo exhibitions in Milan.

Artists may enrolled to interact with an international team of curators and with galleries. Each gallery will evaluate the work of all participating artists; will choose its favourites and nominate a winner to organize a solo exhibition. Each gallery will appoint one winner.

The basic subscription t o T.I.N.A. Prize costs 35 euros and includes the registration to one city with one image. Your registration will last 12 months from today and will allow you to enter all cities of the network at only 15 euro each all year round. Click here to enter.

Each season T.I.N.A. proposes a new open call to artists for solo exhibitions in three different cities.

For more gallery exhibition opportunities click here and here.

 

 

New Art Magazine Accepting Submissions + More

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.DVYZE Magazine  on Twitter as @dvyze is in BETA.  This new San Francisco, California-based magazine will feature art, photography, fashion, music, film and more.

SUBMIT: editor@dvyze.com

To get an idea of the art they will publish, you can view a featured photo series –“Suds And Smiles”  by Samantha Fortenberry —here.

 

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Dupe Arts Zine, London, has a CALL FOR SUBMISSIONS for ‘THE WILD ISSUE.’  The work must respond to the theme but it can be interpreted as literally or abstractly as you like.

Seeking:  Art, photography, illustration, collage, drawing, cartoons, short stories, poetry, articles.

Closes Friday 1 May 2015

DUPE independent arts zine is calling for submissions for its fourth publication and are looking for visual or written, original and creative material.

GUIDELINES :

Send your final piece of work to contactdupe@gmail.com

Please send all images high res 300 dpi.  Maximum 4 images

Please consider that the zine is Riso printed.  (i.e. not full colour)

For more information please visit their website.

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Find thousands more submission opportunities in our E-list of Art magazines, art blogs, art directories + more art publication resources for artists —  here and here.

Get the Transmedia Artist Guide to Making Artist Submissions ebook here and here.

Get $5 OFF many of the #artistresources in both of our Artist Marketing Resources web stores here and here.

(*‿*✿)

 

 

 

Representation to Abstraction: Destroying the Figure in the 21st Century #OpenCall to Artists

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First of all, I’d like to congratulate artist Nadine Robbins — her painting is featured on the cover of Poets and Artists magazine.

Poets and Artists has print and digital versions of their magazine. They have an open call for artist submissions for their next curated issue–Destroying the Figure in the 21st Century.

The Curator for the Issue is Daena Title. Click here to read the full submission guidelines.

Submission Deadline: June 1, 2015    Publication Date: July 2015

DESTROYING THE FIGURE IN THE 21ST CENTURY—When Representation and Abstraction Merge

At what point does the figure in a figure painting lose its formal or narrative dominance? Please submit work that walks this line or crosses over it.

Please be sure to follow the submission guidelines when making your submission. Submission Guidelines here – Send up to three images (high-resolution 300dpi – jpg) that fit the theme.

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Find an extensive e-list of art magazines to submit your art to–and get $5.00 Off our E-list of Art magazines, art blogs, art directories + more art publication resources for artists —  here and here.

Find more #artistresources on sale in both of our Artist Marketing Resources web stores here and here.

Get the Transmedia Artist Guide to Making Artist Submissions ebook here and here.

 

Call for Artists: International Modern Artists Today

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In Europe, PAKS Gallery, Austria is currently seeking artworks from modern and contemporary artists for their Exhibition  “International modern artists today”.

Submission deadline: 20 February 2015

Exhibition dates: 27 March – 9 April 2015

Artists can submit their biography and 3 pictures from artworks in JPEG (please no more than 2 Mb per picture).

PAKS Gallery is accepting original artworks (drawings, mixed media, oil and acrylic original artworks, lithograph, screen prints, photography)

Giclee Limited Editions on fine art paper or canvas (limited edition size 150 in the edition or smaller edition)

Please send your submission images via the email address on their website.

Their Curator will contact you.

We are continually updating and presenting opportunities to artists.

Find many more opportunities to submit your art to art galleries around the world on the Artist Marketing Resources International Art Gallery Directory available on special limited time discount now in both of our shops here and here. 

 

#Opencall – Artists Submit for Inclusion in Christie’s First Open Auction

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The Art Stack is accepting submissions of art from Tuesday 20 January – Sunday 1 February.  Artists can submit their work and the public can ‘stack’ their favorite artists. The most popular works will be considered for inclusion in Christie’s First Open/LDN auction on the 26th of March.

If you already have an account on theArtStack you will see the *SUBMIT YOUR WORK* button at the top of your theArtStack page.

Or sign up for a free account on theArtStack and submit your work.

Art Gallery Open Call Juried to Video Showcase and Smartphone Tablet Art Exhibit

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The Packing Plant has an open call for their video showcase.

A newer online art gallery, Touchtalent, is hosting a Smart phone / Tablet exhibition. Sign up to the Touchtalent site to participate.

 

 

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If you are a photographer, find out more about our 2015 Photographers Resources here.

Click here for the International Art Gallery Directory  of more opportunities for artists.

Find out about our E-Postcard Marketing Service for Artists here.

Other resources in our Artist Marketing Resources web stores #1 https://selz.com/items/all and #2 http://artistmarketingresources.webs.com/apps/webstore/ 

Artists Submit: a live exhibition that will take place in New York, NY, USA

 

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Happy new year! We’re starting off 2015 sharing this live exhibition that will take place in New York, NY, USA, for artists that use social media as a means of gaining exposure.

Tough – Art Talk (aka TartTalks) is now accepting artwork for their first live, offline exhibition “Outside the Twitterverse”.

Tough – Art Talk (aka TartTalks) is an alternative not-for-profit arts organization that curates on and offline fine art exhibitions exclusively for contemporary, emerging, undiscovered and under-discovered artists!

If you are you ready to see your artwork in a unique gallery space curated by the Tart Talks team, Submit Your Work:

Download Submission Guidelines 

To Submit Your Work:

Tell them why your work should have a spot in “Outside the Twitterverse”.

Provide all required information listed in the Submission Guidelines in the body of your email.

Please be sure you’ve read all the criteria before submitting.

> You must follow ALL submission guidelines for consideration <

Download Submission Guidelines 

 

Follow Tart Talks on Twitter @TartTalks 

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PAKS Gallery, Europe, Call for Submissions for Exhibition in 2015

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Paks Gallery for contemporary art, modern art, mixed media art and pop art in Austria between Vienna, Salzburg and Munich (Germany).  PAKS Gallery exhibits international artists working in photography, painting, sculpture, and mixed media art.

PAKS Gallery is currently seeking artworks from modern art artists for Exhibition in FEBRUARY 2015.

Submission deadline: 10 JANUARY 2015

Exhibition dates: FEBRUARY 14 – 28, 2015

Artists can submit their biography and 3 pictures from artworks in JPEG (please no more than 2 Mb per picture).

They are accepting submissions of original artworks (drawings, mixed media, oil and acrylic original artworks, lithographs, screen prints, photography), Giclee Limited Editions on fine art paper or canvas (limited edition size of 150 or smaller) NO Posters accepted.

Please send your submission via email to: management@paks-gallery.com     Their Curator will contact you.

Many private and corporate collectors view the work of emerging and established artists PAKS Gallery represents. Their exhibitions have taken place in many countries, venues, at Art Fairs and in cooperation with art museums.  Art collectors from around the world view the work of the new and established artists with work in their exhibitions.

Physical location of PAKS Gallery headquarters–

Castle Hubertendorf

Schloss Hubertendorf 32

A-3372 Blindenmarkt

Austria

Head office:

Heiligengeistgasse 50

A-5270 Mauerkirchen

Austria

 

Artist Marketing Resources International Art Gallery e-list here, has thousands of art gallery opportunities.

 

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