I want to share this video interview of a UK artist. I love his angst-free descriptions of his painting process and love of the light in his studio, simplifying the complex process of painting into something pleasant and interesting.
View images of J.R. Smith’s paintings above and below and in our sidebar gallery and you will notice that the painter creates a balance in each work that makes it all look so easy. Yet notice again how skillfully the artist incorporates a wide variety of subject matter into each composition in a balancing act that may include animal life, landscapes and plant life, human subjects, architectural features, and still life objects, as well as text and abstract elements.
J.R. Smith has completed numerous commissions on both interior walls and exterior walls of buildings in several Texas and New Mexico towns. National and international art collectors purchase watercolor paintings and painted canvases and panels from the versatile and prolific artist.
Sculptor and painter Tony Cassisi creates his sculptural works in wood and other materials.
On the artist’s website, there are images of 47 bas-relief artworks of people, as well as many creations of birds and other subjects.
You will find dozens of beautiful oil paintings of people and the Italian landscape on the artist’s website. These paintings Tony Cassisi called Metalgraphs, his own unique mentor of paintings with oil paints on metalized boards. The backgrounds of these paintings the artist has painted with metallic colors, while foregrounds he has painted with oil colors.
Visit the artist’s website to view many more artworks: www.tony cassisi.it
Artist Richard Young’s Encaustic Master Class
Maria Gibbs paints to fulfill her passion for the world around her. She loves the artistic process and the act of painting in oils in her studio. She follows her creative inner voice producing stunning images of subjects that include flowers, succulents, landscapes, and people dancing. Her use of vivid colors bring the paintings to life and her combined brush and palette knife work result in remarkable and subtle nuances in texture. Maria works her large floral images in two series–the first, stylized in nature with much romantic appeal, and the second, near photo-realism. She is excited to share these paintings with you in the galleries on her website http://mariagibbsfineart.com/.
To purchase one of our original paintings or hand-embellished limited edition prints, visit her website http://mariagibbsfineart.com/
“This my impression of a view from the side of my house. We live in the woods and love every minute of it.” says painter Terry L Zarate of her oil painting simply titled Branches.
This 24 x 36 inch oil painting on canvas, retails for $960.00 (plus shipping), is available for online purchase on Amazon.com: http://amzn.com/B008BCVJN6
The word portrait project is part private commission, part performance piece. Artist Derrick Hickman works in collaboration with clients to bring their personal stories to life in the form of enlarged colorful text abstractions. The art is both exposing and cryptic. Viewers are drawn into the paintings by their size and appealing palette while at the same time being held back by the confusion of twisted letters and color patterns.
The client provides a written story that is meaningful and revealing and then Derrick Hickman creates a visual re-telling of their story. The abstraction of line, editing of content and selection of color patterns are meant to mimic the relationship of story teller and audience. The inability to control meaning and interpretation as your story gets told and re-told. Clients are able to commission their portrait in three different sizes through the word portrait project website. Commissions typically can be completed and shipped within four weeks. More information can be found at http://www.wordportraitproject.com
Many artists’ sales strategy may be to beef up sales and promotions beginning in November and then cut back on those efforts after December 25th. But between the Christmas and New Year holidays this year, Jeanne Bessette sold three paintings to visitors to her personal artist’s website (http://www.jeannebessette.com/).
I am an artist and I started this blog in February 2009 with the idea of gathering resources here for artist’s growth.
I was born in the USA and I am an artist working with the possibilities of paint layers and poured paints on my supports of canvas, panel and papers– such layering, poured painting, and stain painting is also know as Process Painting. The formal possibilities of my use of color layers and tones, variety of paints and the resulting surface texture are achieved by varying the paint flow, paint run overlaps, and by creating flow interference, splash and splatter. I have an interest in the possibilities of both maintaining and breaking the hard edge. Close-up gives the vantage point of the pleasure of the painterly poured paint run intermingled with elements of patterning and the finer details of applied image transfers and Asemic writing built up on my support in a dense bricolage. Asemic writing consists of language-like marks unreadable as writing so as to straddle the line between the visual and the textual. My Asemic writing is informed by my formal language studies of Mandarin Chinese at the Chinese University of Hong Kong, China, and language studies at private language schools in Tokyo, Japan and in India. My stronger American influences on my Asemic writing reference everyday product package lettering past and present. My high contrast mixed use of Day-Glo to earth color compositions are responses to Asian and American use of color from ancient to recent Pop aesthetics. Color influences of Japan, India and China and the forms of the written characters of the languages of those countries, as well as those elements in other Asian countries I visited–Thailand, Malaysia, Singapore, Taiwan and South Korea–reemerge in newly abstracted and combined forms. Translucent and transparent overlays of color contain the opacity of the drawn stroke. In some of my paintings I work with my collection of large handmade Chinese calligraphy brushes. I abstract written language characters, cut up, juxtapose, and layer fragmented language signs together visually,–sometimes over, sometimes under poured paint, or sandwiched between the layers of my surfaces. In the image transfer elements of my paintings, I incorporate my own drawings photographically reproduced and printed on paper multiple times. Incorporating too, images from my camera–including outdoor night photography shots, and vintage b & w films I shoot capturing both the individual film frames and the overlapped combined images within frame transitions for use as image transfers. I also collect “found images” and have used images in my paintings that I’ve held on to for 7-8 or more years, printed to paper and used as acrylic image transfers on my supports. Subject matter for my image transfers tend to center around vintage film, holiday and other social symbols and iconography, and commercial product packaging. My daily painting practice yields surprisingly varied results per canvas or composition within the repetition of these techniques and recurring interests of form. Each painting contains traces of what is significant to me, the artist, –my personal progress, growth, shifts, changes, expansions, forward motion, accumulation of thought and work, day upon day, contained within the layers of my paintings, as form, color and texture merge in the spirituality of my abstract painting practice that proceeds from the context of ideas, beliefs and emotions.
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Best wishes for a productive day!