A PERFORMANCE AFFAIR, THE NEW PLATFORM DEDICATED TO THE ECONOMIES OF PERFORMANCE ART is presenting a myriad of performances for sale by emerging and mid-career artists and featuring Violent Incident, an historic performance video by Bruce Nauman, an auctioned immaterial work by Philippe Parreno, an interactive performance installation by Greg Finger– A PERFORMANCE AFFAIR will put the whole spectrum of the economies of performance art on display and for discussion.
A PERFORMANCE AFFAIR ANNOUNCES ITS LIST OF PARTICIPANTS FOR THE PANOPTICON EDITION– ACTIVATING THE PANOPTICON:
The Panopticon, A PERFORMANCE AFFAIR’s first edition, transforms the second floor of the Vanderborght Building into an immersive space for three days of performances in collaboration with the Brussels Gallery Weekend (7 to 9 September 2018).
Inspired by the notion of the Panopticon and the building’s unique architecture, continuous and overlapping performance works by international artists will be presented throughout the dynamic venue.
A PERFORMANCE AFFAIR is a new Brussels based association with international outreach dedicated to performance art. Set up as a not-for-profit organisation, APA is an evolving structure that brings together artists, galleries, collectors and institutions to research and discuss current tendencies in performance art and the economic structures around it. A PERFORMANCE AFFAIR is not another art fair, but a flexible stage aimed at stimulating the acquisition of performance while finding solutions for its development and sustainability. Events are open to the public and free of charge.
A PERFORMANCE AFFAIR is powered by Liv Vaisberg_ Office for Art & Design and Will Kerr acurated.space.
A ROUND TABLE DISCUSSION Follows:
A wrap-up event at the end of the first edition of A PERFORMANCE AFFAIR: The Panopticon Edition, the round table encourages participants, key players as well as any interested member of the public to discuss some keys questions driving the development of collecting performance art.
While there has been considerable attention around collecting performance in recent years, it remains a niche activity with narratives primarily circulating around a few key artists and collections. The round table is an opportunity for the speakers, participants in APA and members of the public to exchange and explore the conditions that need to be created to make a broader market around performance art.
Some key questions–
What commercial frameworks and strategies exist for selling, circulating and conserving performance art, and what do they have in common with those of more traditional art objects, and where do they differ? What other strategies exist for the support of performance art? What might we learn from making comparisons with economies that
exist around disciplines such as dance, music and theatre? What status do props, drawing, photography and other documentation hold, and how are they presented in relation to the live act, within market contexts and collections–both public and private?
When and Where:
Sunday 9 September, 14:00
In APA Bureau
Vanderborght Building, 2nd floor,
rue de L’Ecuyer 50 Schildknaapstraat – 1000 Brussels – Belgium
For more information, please contact: firstname.lastname@example.org
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