Brussels Gallery Weekend: A Performance Affair, 7-9 September 2018

8. A Performance Affair. Selected-exhibtors

A PERFORMANCE AFFAIR, THE NEW PLATFORM DEDICATED TO THE ECONOMIES OF PERFORMANCE ART is presenting a myriad of performances for sale by emerging and mid-career artists and featuring Violent Incident, an historic performance video by Bruce Nauman, an auctioned immaterial work by Philippe Parreno, an interactive performance installation by Greg Finger– A PERFORMANCE AFFAIR will put the whole spectrum of the economies of performance art on display and for discussion.

A PERFORMANCE AFFAIR ANNOUNCES ITS LIST OF PARTICIPANTS FOR THE PANOPTICON EDITION– ACTIVATING THE PANOPTICON:

9. A-Performance-Affair-Announcement-list-selected-exhibitors

The Panopticon, A PERFORMANCE AFFAIR’s first edition, transforms the second floor of the Vanderborght Building into an immersive space for three days of performances in collaboration with the Brussels Gallery Weekend (7 to 9 September 2018).

Inspired by the notion of the Panopticon and the building’s unique architecture, continuous and overlapping performance works by international artists will be presented throughout the dynamic venue.

7. Alice Anderson “Lost Gestures_ performative drawings © Alice Anderson Studio

Alice Anderson “Lost Gestures’ performative drawings © Alice Anderson Studio

 

A PERFORMANCE AFFAIR is a new Brussels based association with international outreach dedicated to performance art. Set up as a not-for-profit organisation, APA is an evolving structure that brings together artists, galleries, collectors and institutions to research and discuss current tendencies in performance art and the economic structures around it. A PERFORMANCE AFFAIR is not another art fair, but a flexible stage aimed at stimulating the acquisition of performance while finding solutions for its development and sustainability.  Events are open to the public and free of charge.

A PERFORMANCE AFFAIR is powered by Liv Vaisberg_ Office for Art & Design and Will Kerr acurated.space.

A ROUND TABLE DISCUSSION Follows:

A wrap-up event at the end of the first edition of A PERFORMANCE AFFAIR: The Panopticon Edition, the round table encourages participants, key players as well as any interested member of the public to discuss some keys questions driving the development of collecting performance art.

While there has been considerable attention around collecting performance in recent years, it remains a niche activity with narratives primarily circulating around a few key artists and collections. The round table is an opportunity for the speakers, participants in APA and members of the public to exchange and explore the conditions that need to be created to make a broader market around performance art.

Some key questions–

What commercial frameworks and strategies exist for selling, circulating and conserving performance art, and what do they have in common with those of more traditional art objects, and where do they differ? What other strategies exist for the support of performance art? What might we learn from making comparisons with economies that
exist around disciplines such as dance, music and theatre? What status do props, drawing, photography and other documentation hold, and how are they presented in relation to the live act, within market contexts and collections–both public and private?

When and Where:
Sunday 9 September, 14:00
In APA Bureau
Vanderborght Building, 2nd floor,
rue de L’Ecuyer 50 Schildknaapstraat – 1000 Brussels – Belgium
For more information, please contact: info@aperformanceaffair.com

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Netherlands Media Art Institute: Upload Your Art to the Annlee Blog Project

The internet is considered a free medium through which people are able to find, spread and re-mix information, but at the same time this freedom is limited by boundaries like copyright laws which have become increasingly complicated and prominent. How does this influence artists? To what extent are artworks open to interpretation and intervention?In 1999, the artists Pierre Huyghe and Philippe Parreno bought a manga character from “K” works, a Japanese firm that develops Manga figures. Huyghe and Parreno decided to ‘free the image from the animation market’, named ‘her’ Annlee, made their own initial works and invited other artists to use Annlee for new art projects, free of charge. Annlee was given a voice, history and an identity and she popped up in animation videos, paintings, objects, installations, posters and a magazine, soundworks and a book. In the end 28 works were produced by 18 different artists. The project was finalized in 2002 with the artists definitively killing her off (including a coffin) and liberating her from the realm of representation -as they described it- by signing over the copyrights of the image to Annlee herself.Is this really the end? Is Annlee dead, truly free, or both? Copyright was used explicitly to lock up an appropriated image that has the potential to flow freely as an open art work. Annlee has disappeared as an image, but not as an entity that can be discussed and talked about or as a subject for new artworks. A decade after the project came to an end, artists are invited  to respond to the Annlee project ‘unofficially’ hoping to open up the character to new art pieces. As Philippe Parreno suggested: “the project doesn’t stop in the absence of Annlee, it can always produce more authors.” We look forward to your input, ideas and brand new artworks!Art can be uploaded onto the blog dedicated to this ‘Annlee @ NIMk’ project annlee.nimk.nl. The blog will be shown in the exhibition
USER INFO
http://nimk.nl/blog/annlee/wp-admin/
user: gast
password: welkom

For inspiration and more information about the manga character and project go to:
http://www.noghostjustashell.com/
http://www.airdeparis.com/pann2.htm

Netherlands Media Art Institute
Keizersgracht 264
1016 EV Amsterdam
The Netherlands
T 020 6237101
F 020 6244423
http://www.nimk.nl

MEDIA ART, WE CARE: read, react and forward: http://nimk.nl/nl/media-art-we-care

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Link: http://annlee.nimk.nl/

Deadline: Wed Aug 15th, 2012