Open Call for Artists: Art in Public Space in Zurich, Switzerland

17ZWEI Call 2013 Zurich

Open Call, 17x2m space for Art in Public Space in Zurich, Switzerland
Deadline extended: April 14 2013
Submission fee: none

Professional artists and artist groups to submit a proposal for a two-dimensional artwork (size 16 m x 2.15 m) which will be publicly displayed for 4-6 weeks in a highly frequented underpass in Zurich’s (Switzerland) new business district. Seeking artists from all over the world who are interested in working with the immediate surrounding of the urban neighborhood of Hardbrücke public area (the underpass),  the location of the underpass or Zurich’s urbanity in general. Application guideline:

Applications must be submitted in English or German., Each applicant may submit only one concept., The application should include:,  Contact information of the artist, (including: name, surname,  postal address, e-mail address, phone number).  A curriculum vitae in PDF.  An artist portfolio of five works no older than five years. A project proposal (which can be a description of max. 300 – 500 words and a visual sketch with the correct proportions of the tarp), Please submit your complete application as a PDF by e-mail until, 14th April 2013 to, (please note, only complete applications will be considered).

The application process:

Once the deadline has passed,  a jury will select 4-6 works. The selected artists will receive an artist’s fee of 1000 CHF. In addition to the artist’s fee we offer to cover the travel expenses to Zurich to the opening of the artwork (there is no cash alternative for trip costs). Each piece will be displayed for minimum of 4 weeks., Please note that the artwork will be printed on a 16 x 2.15 meter truck tarp. The truck tarp print will become part of the Deutsche Bank art collection after the public displaying period., If your work gets selected you will be informed of the dates your work will be on display. The decision of the jury will be mailed out to all participants at the end of April.  The project is funded by Deutsche Bank and ZHdK.

For further information:

Call For Submissions For Supernova Performance Art Festival

The SUPERNOVA Performance Art Festival is a Rosslyn Arts Project presented by the Rosslyn Business Improvement District (BID) and produced by The Pink Line Project. SUPERNOVA will début June 6­‐9, 2013, throughout Rosslyn, Virginia, in raw spaces, office lobbies, rooftops, parks, the Metro station, and other public places. SUPERNOVA will bring together emerging and established local, regional, national and international performance artists to present an expansive range of positions and approaches to performance art. A unique showcase of energetic artistic activity and action, SUPERNOVA is poised to establish Rosslyn as a preeminent territory for contemporary art experience.

SUPERNOVA is now accepting submissions for this performance art festival! Deadline: Fri Mar 15th, 2013

Multi­‐site, multi‐day, transdisciplinary, anti‐conventional, SUPERNOVA will include and not be limited to: performance art, live art, body art, relational art, action art, happenings, actions, interventions, works­‐as­‐yet­‐undefined, and those never­‐to­‐be defined. Or whatever you want, or refuse, to call it. Selected artists will receive a $250 honorarium, with the opportunity to apply for more funding. Limited housing and accommodations will be available, but not guaranteed. Artists are encouraged to seek individual funding for SUPERNOVA. Letters of acceptance and any supplementary materials will be provided to selected artists.

The deadline to submit entries is 5 p.m., March 15, 2013, and all decisions will be finalized by 9 a.m., April 5, 2013. Applicants are encouraged to take inspiration from the modern public parks, diversity of architecture, proximity to Washington, D.C., and lively corporate environment that makes Rosslyn so unique.

All submissions and inquiries can be sent to Eames Armstrong, chief curator at

Submissions should be formatted as a single PDF document, which includes:
• Bio and artist statement
• Title, description and duration of proposed piece(s) for SUPERNOVA
• Five .jpeg images with corresponding image script
• Link to artist’s website and online video.
• Resume/CV

In the words of performance artist Guillermo Gómez-­‐Peña, “Our job may be to open up a temporary utopian/dystopian space, a de-­‐militarized zone in which meaningful ‘radical’ behavior and progressive thought are hopefully allowed to take place, even if only for the duration of the piece. In this imaginary zone, both artist and audience members are given permission to assume multiple and ever changing positionalities and identities. In this border zone, the distance between ‘us’ and ‘them,’ self and other, art and life, becomes blurry and unspecific.” (from In Defense of Performance Art)

MINE and Future Cities: Two Calls For Artists To Submit

FUTURE CITIES – PLANNING FOR THE 90 PER CENT is an open call for visual projects in any media capable of transforming our urban spaces. Artists, photographers, architects and designers are invited to reflect on issues facing people in private and public spaces around the world, such as housing, transport, environment, leisure, overcrowding, proposing low-cost, low tech solutions to improve conditions and understanding.

Who can Submit? 
FUTURE CITIES is an international call for projects, where artists, designers, architects, urban planners, photographers and multidisciplinary teams from anywhere in the world can participate without limits of age, sex or profession open to design-related professionals, artists and non-professionals, multidisciplinary teams for low-cost, low tech interventions designed to confront critical issues about public space and infrastructure in specific contexts.

PLANNING FOR THE 90 PER CENT is an invitation to take a harder look at the real city wherever you happen to be, making time to think about the very important improvements that can be made by creative and thoughtful solutions to everyday problems.

In forty years time, seven out of the world’s nine billion inhabitants will be living in cities. Almost half will be living in non-formal accommodation. The need to improve the metropolis by designing for conditions and environments considered emergency situations is now urgent and necessary.

Ten projects will be selected for exhibition during the upcoming XIII Architecture Biennial and will be presented in the Magazzini del Sale – Punta della Dogana, Venice, from 27 August to 1 September 2012 during the XIII Architecture Biennial in Venice.


MINE is an international call for artistic projects, curated by Jacopo Perfetti, which investigates the theme of Self as a motor of shock and change in our society.

“Contemporary art cannot overlook it’s irreverent, surging, irritating, unrepeatable, irregular, irrational, and busting nature which makes it, first of all, a living and vibrating entity, present in the streets, and above all among people. Art is not made just to be seen, but to be lived and participated. If art could speak, as is often the case, only with art-world people, it would lose its sense of being. Art is a huge explosion of self which affects everyone. A shock within the system. The only true form of global revolution. Because art belongs to everyone and is for everyone. The Dadaists said that in art the rules are like medicine, to believe this one has to be ill. I agree, we cannot put rules on the right of every human being to express his ‘self’ through art. I believe in art and in the revolutionary potential of an artist. The use of the word ‘MINE’, in English refers to the personal mine-me, the very essence of a person, his or her private self, the only really own. And ‘MINE’ in Italian refers to a land or seamine, a metaphor for the explosive personality of an artist as ungovernable as it is visionary. Because this is the true essence of an artist. His or her deep sensitivity. An artist is like a doorway which opens and sees before anyone else the depth of things and is able to explain them to the masses so as everyone can open their eyes. It’s not possible to be a part-time artist. The essence of being an artist is something which irradiates life as a whole without alternatives. An artist is not a product of himself or herself. An artist is being one’s own very life. An artist is always himself. If one thinks of an artist such as Salvador Dalì, his life can be compared to a slap in the face of daily life, a continuous celebration of himself and his world. The strength with which he mocked bourgeois society, which venerated him like a god, while he dirtied a sheet with pen and black acrylic is the synthesis of genius. An arrogant genius, and for this very reason, total, without limits, with a power to cross every institution, every commonplace. To challenge oneself without compromises with the future as one’s only conviction, to paraphrase The Clash or there will be glory or there will be death.

It is through the eccentric personality of an artist that art will return to play out its most important role. To communicate. To surprise. To shock. Because to shock is one of contemporary art’s most current concepts. A key theme to understand the dynamics which dictated the paradigms from Warhol to Hirst. The shark in formaldehyde by Hirst was created to shock. The images of prostitutes in Teheran by the Iranian artist Shirin Fakhim were made to shock. Catellan’s boy with a drum, the gigantic sculptures by Ron Mueck or the perverse works by the American artist Paul McCarthy or by the Chapman Brothers, are created to shock. To have the courage to use one’s sensitivity to change the world! Govern one’s own Explosion of Self. What better moment than this to do so. I am convinced, and I write with more of an economist’s bent than a curator’s, that the world, as we know it today, can be more easily saved by a work of art than by the nth financial budget. Capitalism has exhausted itself, the Big Other of politics and religion has abandoned us some years now, what remains is culture and its immense revolutionary power. Man does not, unfortunately, appear to have learned anything from the past. On one side of the world pieces of a wall are kept as fetishes reminding one of a shameful history, which we swear will never happen again, while on the other side of the world even higher walls are being built as though the lessons of history have simply broken-up before the arrogance of today. Its only by looking at the future that man can learn to change the present. And only artists have the necessary folly to see into the future. To conclude, with a citation from The Warriors by Walter Hill, “if you are an artist come out and play because this is your moment”.

In this call I expect to review artistic projects which are capable of slapping everyday life. I expect ideas before objects. A work of art is not an object. A work of art is a thought. A thought which can be translated into a painting on canvas as much as in a performance, a video or an installation. What is important is that art is not emptied of it’s very artistic essence. The concept that generates it. I ask you not to simply send me a work, but also a brief text explaining your thoughts behind it, and why you created it. In making my selections I will not lend so much importance to its aesthetic values, rather its value as a public work, its ability to communicate with everyone and place itself within people’s daily lives triggering thoughts and reflections.”   By Jacopo Perfetti

View works submitted to date, and submit your own art here.

New iPad App Features the Work of Contemporary Video Artists

Art and Technology Intersect in New iPhone & iPad App That Streams Contemporary Video Art onto Home and Public Space TV Screens, article by Marie Kazalia published by Technorati news–here is the link to the full article: